The abandoned farm, and Connie's mistakeHolmes, Mary Jane
General
The abandoned farm, and Connie's mistake
Holmes, Mary Jane
American fiction -- 20th century
It is one of the pleasantest bits of road in all that section of
country, winding up and up, with level stretches like plateaus between
the ascents, and with delightful views of wooded hills, green in their
summer dress, and mountains, purple with the haze which rests upon them
when in the valley below the air is quivering with the heat of July and
August. To your right you get glimpses of a pond where the white lilies
grow in abundance, and whose waters help to turn the machinery of the
manufacturing town at the foot of the hill. It is not a large place, but
with its white houses and green blinds it makes a pretty picture, and
you keep looking back at it as you bowl along the smooth road between
hedges of blackberry bushes and low alders and red sumachs. Suddenly, at
a turn in the road and a rise steeper than any before it, you reach a
level plain, which seems to stretch away mile upon mile in every
direction, and you look off upon farmhouses dotting the landscape, some
red, some white and more brown and weather beaten. The doors and windows
are flung open wide to admit the sunshine and the air, and the inmates
are busy, some in the fields, some indoors, while others, in the early
morning, when the whistle blew in the valley below, took their tin pails
and hurried away to the great factory, whose chimney and roof and upper
windows can be seen from the plateau.
“This is The 4 Corners. Where will you get out and shall I wait for
you?” Jehu asks, and as your errand is not to any particular place, you
tell him to put you down by the steps of the little church, the first
building you come to. “Fifty cents,” he says, when you ask his price,
and you pay it with alacrity and think it cheap when you remember the
hills you have come up and look at the moist state of the horse, panting
under the elm tree, with his head low down. “Allus in a chronic tucker,”
Jehu says, when you call his attention to the animal, and suggest that
he must at some time have been overworked or he would not tire so
easily. “Mebby so. Bought him of a pedlar,” he says. “But now he’s in
clover. It’s the marster’s religion to be good to hosses. I b’lieve
he’ll go ridin’ into Heaven behind the finest span on the road. None of
your yanked up heads, with straight checks and cut-off tails for him.
No, marm. He says the Lord made a hosses’ tail like a woman’s hair, for
ornament, and to brush off the flies, and if a hoss wants to see what is
goin’ on behind him he’s goin’ to let him have a chance to see. Henriet
ain’t abused. She’s had nervous prostration and is kep’ for short runs,
that’s all,” and with his shirt sleeve he wipes the white drops from the
neck of the horse, who rubs against him with a little whinny which no
horse gives except he is well cared for and content.
Public-domain text, read in full here on John Shaqi.
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