Canadian fiction; Country life -- Fiction; Families -- Fiction; Humorous stories
It was during the first eighteen months of our life at Waydean that I
wrote "The Meditations of Uncle Benny" for the _Observer_. I do not
allude to these sketches as anything out of the ordinary, for there are
times, as Marion says, when it is well for one to neither affirm nor
deny the truth. Why it is wrong for me to voice a just and critical
appreciation of my literary work, and proper for my wife to openly
admire her newly scrubbed floor or her arrangement of flowers in a vase,
I cannot see. Nor can I get her to explain; she prefers to say that if I
cannot see for myself it would be useless for her to try to make me
understand,--a baffling inconsequent remark. Nevertheless I am willing
to believe that some things are too subtle for my comprehension, and
that her instinct is invariably to be depended upon; also, that the
less I express my admiration for what I have written, the more open and
unrestrained her appreciation will become. Consequently, although when
the first of the Uncle Benny sketches appeared in print I laughed and
applauded as heartily as if the author were unknown to me, I learned to
regard the later ones with almost gloomy indifference, or even to
subject them to adverse criticism, this course being the one most likely
to lead my wife to praise the artistic excellence of my work.
Personally, I make no claim to artistic excellence,--it would be neither
becoming nor tactful for me to do so,--but I may mention that the
circulation of the _Weekly Observer_ doubled, and then trebled; also
that as a result of the popularity of Uncle Benny it soon became
necessary to copyright each instalment in advance of publication to
prevent unauthorized copying by exchanges. I have noticed that to some
authors is given the art of writing so that their work appeals to their
fellow-creatures at a certain stage of development; others, again, have
that broad human sympathy that puts them in touch with young and old,
cultured and uncultured, wise and foolish. I had no wish to add to the
sum of human wisdom and culture, but it was a delight to me that Uncle
Benny made people merrier. Paul, at the age of seven, William Wedder,
three score years older, were equally infatuated. On Saturday mornings
Paul would insist upon having Uncle Benny read aloud to him during
breakfast, then he would carry off the paper to peruse it himself at
leisure, while William could ill conceal his impatience at having to
await his turn. Most authors read their own works aloud, in public, to
their friends, or in the family circle; I do not. It is only fair to
state that I might not have reached this exalted plane but for my wife.
It was she who made me understand the injustice, the blind selfishness,
the distressing egotism that permits an author, revelling in the
enjoyment of his own imaginings, to inflict them upon a helpless
listener whose capacity for appreciation is so infinitesimal in
comparison. It was she who showed me that Rossetti's sketch of Tennyson
Public-domain text, read in full here on John Shaqi.
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