France -- History -- Henry IV, 1589-1610 -- Fiction; Historical fiction
But in one heart the mention of hope had awakened hope. The Abbess
raised herself on her elbow. "Who have gone?" she asked in a voice so
hollow and changed they started as at the voice of a stranger. "Who
are gone?" she repeated.
"All but eight spears!" the Duke answered.
"Why not all?" she cried feverishly. "Why not all?"
"Some it was necessary to keep," Joyeuse replied gently. "Not one has
been kept that could go. If your sister can be saved, she will be
saved."
"Too late!" the Vicomte muttered. And he shook his head.
The Abbess sank back with a groan. But a moment later she broke into a
passion of weeping. The cord that had bound her heart had snapped. The
first horror of the thing which she had done was passing. The first
excuse, the first suggestion that for that which she had not intended
she was not answerable, was whispering at the threshold of her ear. As
she wept in passionate, in unrestrained abandonment, regarding none of
those about her, wonder, an almost resentful wonder, grew in the
Vicomte's heart. He had not given her credit for a tithe, for a
hundredth part of the affection she felt for her sister! For the Duke,
he, who had seen her consistently placid, garbed in gentle dignity,
and as unemotional as she was beautiful, marvelled for a different
reason. He hailed the human in her with delight; he could have blessed
the weeping girl for every tear that proclaimed her woman. By the
depth of her love for her sister he plumbed her capacity for a more
earthly passion. He rejoiced, therefore, as much as he marvelled.
There was one other upon whom Odette's sudden breakdown wrought even
more powerfully; and that was the Countess. While the sister remained
stunned by the dreadful news and deaf to consolation, the poor child,
who took all to herself and mingled shame with her grief, had not
dared to speak; she had not found the heart or the courage to speak.
Awed by the immensity of the catastrophe, and the Abbess's stricken
face, she had cowered on her knees beside the bed with her face
hidden; and weeping silently and piteously, had not presumed to
trouble the other with her remorse or her useless regret. But the
tears of a woman appeal to another woman after a fashion all their
own. They soften, they invite. No sooner, then, had Odette proclaimed
herself human by the abandonment of her grief than the Countess felt
the impulse to throw herself into her arms and implore her
forgiveness. She knew, none better, that Bonne had suffered in her
place; that in her place and because of her fears--proved only too
real--she had gone to death or worse than death; that the fault lay
with herself. And that she took it to herself, that her heart was full
of remorse and love and contrition--all this she longed to say to the
sister. Before Odette knew what to expect or to fear, the younger
woman was in her arms.
Public-domain text, read in full here on John Shaqi.
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