The view of the massive structure of the abbey church is from all points
impressive. The great length of the nave with its magnificent western
front, the pinnacled transepts, the choir and Lady chapel, all crowned
by the lofty castellated tower, make up a truly marvellous whole. The
greater part of the church was built after the Norman Conquest by the
Abbot Paul, whose uncle, Lanfranc, was first appointed abbot of St
Stephen’s at Caen by William I. and afterwards made Archbishop of
Canterbury. Founded on the spot where Alban was cruelly put to death,
this immense monastery extended over the hill side as far as the river.
With the exception of the monastery gateway, the entire conventual part
was swept away at the Dissolution. Fortunately the abbey church was
spared, and became, as in many other cases, the parish church of the
district. Every style of architecture is shown in the building, from the
time of the Normans to the reign of Edward IV. The nave is of thirteen
bays with aisles; the two transepts have no aisles, and, as in the case
of Westminster Abbey, the choir is west of the crossing. The presbytery
and Lady chapel extend beyond the choir. The pillars of the triforium
and south transept are of Saxon work and are all that remains of the 8th
century church built by King Offa. The most ancient parts of the edifice
are those most central, the east and west ends being of a different
style of architecture and of a later period. The eastern part of the
nave, the transepts and central tower, are all the work of Abbot Paul.
Admirable in its proportions, the heavy Norman arches--relieved
occasionally by those of Early English work--the beautiful moulding, the
grand spaciousness of the whole building combine to make a grand and
effective whole, while simplicity is undoubtedly the key-note of the
entire structure. Although all the abbots of St Alban’s are buried here,
very few of their tombs and monuments remain.
Shrines have been erected to the memory of St Alban and St Amphibalus,
and in the Lady chapel lie many historical personages, including Henry
Percy, Duke of Northumberland, son of Hotspur; and Lord Clifford (killed
in the first battle of St Albans). Great interest attaches to the high
altar screen, erected by Abbot William Wallingford in the 15th century,
the chantry of Abbot Ramyge, the Holy Rood screen, the watching chamber
in the south wing of the transept, and also to the window in the south
aisle representing the martyrdom of St Alban, below which is the
following inscription--
MDCXXIII
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account