Jedburgh, one of the most noted of old Border towns, is now the chief
town of Roxburghshire. It lies on the banks of Jed Water and enjoys a
sheltered situation amidst the wooded hills and rocky eminences which
enclose this vale, the Scottish Arcadia, on every side. After the union
of the two kingdoms, Jedburgh became the centre of an extensive
contraband trade, which was however eventually checked by the English
excise. The picturesque market town once possessed a stately castle and
abbey, but though the former building (of which nothing remains) has
been replaced by a massive gaol, known as the Castle of Jedburgh, only
the church is left of the latter most beautiful fabric. This building is
fortunately complete, with the exception of the south transept and the
greater portion of the choir.
Of grand proportions, yet of severe simplicity, the church displays some
fine decoration in its flowered capitals and beautiful mouldings.
Portions of the
[Illustration: JEDBURGH.]
choir and tower are evidently Early Norman work, while later styles are
seen in the great nave of nine bays, composed of a combination of
Transitional Norman and English Gothic, and again in the unspoiled north
transept of Decorated character. The nave is 130 feet in length, having
above the triforium a clerestory consisting of a magnificent arcade of
lancets. Two doorways to the west and south are excellent examples of
Norman work, but the former, with its deep carvings of the most delicate
workmanship, is the better specimen. The arches of the tower (86 feet
high) are richly clustered and chevroned at the edges; indeed, so
exquisitely wrought and beautiful are some of the decorative mouldings
of the church, that the work is attributed by many to an Italian artist.
The north transept is aisleless, and possesses a large window of four
lights filled with geometrical tracery.
Public-domain text, read in full here on John Shaqi.
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