VI. Then, said he, a truce, if you please, to all your questions; and, indeed, I said at the beginning that I would rather have none of them, for I had a provident dread of these captious dialectics. Would you rather, then, said I, that we should argue rhetorically than dialectically? As if, said he, a continuous discourse belonged solely to orators, and not to philosophers also! I will tell you, said I, what Zeno the Stoic said; he said, as Aristotle had said before him, that all speaking was divided into two kinds, and that rhetoric resembled the open palm, dialectics the closed fist, because orators usually spoke in a rather diffuse, and dialecticians in a somewhat compressed style. I will comply, then, with your desires, and will speak, if I can, in an oratorical style, but still with the oratory of the philosophers, and not that which we use in the forum; which is forced at times, when it is speaking so as to suit the multitude, to submit to a very ordinary style. But while Epicurus, O Torquatus, is expressing his contempt for dialectics, an art which by itself contains the whole science both of perceiving what the real subject is in every question, and also of judging what the character of each thing is, by its system and method of conducting the argument, he goes on too fast, as it seems to me, and does not distinguish with any skill at all the different points which he is intent upon proving, as in this very instance which we were just now speaking of. Pleasure is pronounced to be the chief good. We must then open the question, What is pleasure? for otherwise, the thing which we are seeking for cannot be explained. But, if he had explained it, he would not hesitate; for either he would maintain that same definition of pleasure which Aristippus did, namely, that it is that feeling by which the senses are agreeably and pleasantly moved, which even cattle, if they could speak, would call pleasure; or else, if he chose rather to speak in his own style, than like All the Greeks from high Mycenæ, All Minerva’s Attic youth,