The Actress in High Life: An Episode in Winter QuartersBowen, Sue Petigru
General
The Actress in High Life: An Episode in Winter Quarters
Bowen, Sue Petigru
Fiction
The level space within this outwork was now crowded with couples, the
Portuguese ladies entering fully into the spirit of the hour. Mrs.
Shortridge and Lady Mabel stood aside, with L'Isle, and had the
pleasure of witnessing a genuine _impromptu_ Spanish ball in the open
air. They were at once struck with the sudden gayety and activity of a
people habitually so grave and inert. But as one dance followed
another, the vivacity of the party increased. Many of the officers and
some of their fair friends were from Andalusia, where music and the
castinets are never heard in vain. Presently the tune was changed, and
the excited dancers slid over into the fandango and volero, danced out
to the life in so demonstrative, voluptuous and seducing a style, that
Mrs. Shortridge declared such exhibitions abominable, and that they
should be prohibited by law; while Lady Mabel shrinkingly looked on in
bewildered astonishment. She had herself danced many a time, though
not as often as she wished; but such dancing she had never dreamed of
before.
At this moment the sun set, and the bells of the churches and convents
across the water gave the signal for repeating the evening prayer to
the Virgin. In an instant the gay crowd was arrested as if by
magic. The music ceased; the dancers stood still; the women veiled
their faces with their fans; the men took off their hats; and all
breathed out or seemed to breathe a prayer to the protecting power who
had brought them to the close of another day--all but the English
officers, who, mingled with the devout dancers, stood looking like
profane fools caught without a prayer for the occasion. After a short
solemn pause, the men put on their hats, the women uncovered their
faces, the music again struck up, and the throng glided off into
gayety and revelry as before.
"I would not have lost this for any thing," Lady Mabel exclaimed; "It
is so sudden and extraordinary a transition from the wild abandonment
of revelry to absorbing devotion and back again to the revels. Without
seeing it, I could not have imagined it. I have before witnessed and,
at times, been impressed with this solemn call to the evening prayer,
misdirected though it be. But here the effect is utterly ridiculous,
to say the least."
Public-domain text, read in full here on John Shaqi.
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