The Actress in High Life: An Episode in Winter QuartersBowen, Sue Petigru
General
The Actress in High Life: An Episode in Winter Quarters
Bowen, Sue Petigru
Fiction
It was a young and gay party assembled here, and Mrs. Shortridge's
floor was soon covered with dancers. In private houses the national
dances are often executed in a modified and less demonstrative style,
at least early in the evening, than elsewhere. Still the dancing in
Elvas and Badajoz were near neighbors to each other. But a change had
come over Mrs. Shortridge, and now she made no protest, and saw little
impropriety in displays which she had denounced a few days ago.
Fashion is the religion of half the world; the mode makes the morals,
and what it sanctions cannot be wrong. The commissary, not so easy a
convert, sneeringly remarked that the exhibition was very suitable to
ballet dancers and such folk, plainly classing most of his guests in
that category; while Lady Mabel, with bare-faced hypocrisy, glided
about among her foreign friends, lamenting that her English clumsiness
cut her off from taking her part in a diversion, and in the displays
of grace and feeling, which, she said, with double meaning, were
unbecoming any but women of the Latin races.
The night was hot, and dancing made it hotter. So Mrs. Shortridge
called upon Lady Mabel to fill up the interval of rest, and gratify
the expectations of their friends with some of her choicest songs.
But yesterday so large an audience would have abashed her; now she
scarcely saw the throng around her in her eagerness to gain her end by
prolonging the amusements of the night. She sent L'Isle for her
guitar, made him turn over her music, never releasing him for a
moment, while she sung no Italian, French or English songs, but some
of those native and cherished requidillas, the airs and words of which
find here so ready an access to all hearts; and she executed them with
a skill, melody, and pathos, that flattered and charmed the
Portuguese. The guitar, though the cherished friend of serenading
lovers of the old Spanish school, was truly but a poor accompaniment
to such a voice; but L'Isle saw that, like the harp, it had the merit
of displaying to advantage, the roundest, fairest, and most
beautifully turned arms he had ever gazed upon.
The dancers were again upon the floor; the night sped on, and Lady
Mabel made free use of her interpreter in ingratiating herself with
the Portuguese. L'Isle, true to his pledge, taxed his powers to the
utmost to be witty and agreeable in her name; at times a little
overdoing his part. Thus, at supper, when an elaborate compliment to
Dona Carlotta Seguiera, drew a reply as if it had originated with
himself, he stripped it of part of its merit by saying that he was
merely the mouth-piece of Lady Mabel's sentiments. When Dona Carlotta
expressed her surprise that Lady Mabel's short English sentence should
make so long a speech in Portuguese, he explained it by Lady Mabel's
peculiar faculty of uttering a volume in three words.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account