The Actress in High Life: An Episode in Winter QuartersBowen, Sue Petigru
General
The Actress in High Life: An Episode in Winter Quarters
Bowen, Sue Petigru
Fiction
"As our lives are not so lasting as the dye Lady Mabel talks of," said
the commissary, "let us make the most of them by taking horse at once,
and hastening on, for we must pass through Villa Vicosa, and sleep
several miles beyond it to-night."
Returning to the road, they presently reached a cultivated valley, and
passed through a hamlet, scarcely seen before it was entered, so
completely were the low stone walls of the houses hidden by the olive,
orange, almond, and other fruit-trees surrounding them. The only
inhabitants visible were two or three squalid children, playing in the
road, and a woman lounging at her door, eyeing the party with mingled
curiosity and suspicion, while a stout yearling calf pushed
unceremoniously past her into the house, thus asserting his right as a
member of the family.
L'Isle paused before the little church, just beyond the village, and
pointed out to Lady Mabel a curious cross, the first of the kind she
had met with, though common enough in the peninsula. It was composed
of human skulls, on a pedestal of thigh bones, the whole let into the
wall, and secured by a rough kind of stucco.
"Certainly these people have curious ways of exciting devotional
fervor, and keeping death in memory," said Lady Mabel.
"One might suppose them to have remarked the grave-digger, who deals
habitually with the moldering remains of humanity, to be the most
God-fearing of men," said L'Isle; "so they seek to afford to every one
the devotional incentives peculiar to the grave-digger. Yet their
symbols serve rather to familiarize us with material death in this
world, than to remind us of a spiritual life in the world to
come. They often teach no better lesson than 'Eat, drink, and be
merry, for to-morrow we die.'"
"I have been told," said Lady Mabel, "that in spite of these pious
devices, the people have lost much of their devotional ardor and
fullness of faith."
"Not the rustic population," said L'Isle; "the church still retains
full sway over them."
"I cannot say," observed Lady Mabel, as they turned to proceed on
their way, "that the Romish system is very attractive to me. But,
viewing it as a sensuous worship, if ever I become a convert, it will
be through the influence of its music." And dropping the reins on her
horse's neck, she, with clasped hands and upturned eyes, began to
chant:
"O Sanctissima! O Purissima!
Ora, Ora, pro nobis," etc.
Music at once so sweet and orthodox from a heretic mouth, attracted
the muleteer's attention, and turning, he sat sideways in his saddle
to listen. This exciting old Moodie's suspicion, he pushed his horse
close up to Lady Mabel's, and as soon as she paused, said: "My lady,
what is that you are singing?"
"A hymn to the Virgin."
"A hymn to the Virgin!" he repeated, horror-struck.
"Yes; it is in Latin, you know. Have you never been to any of the
churches in Elvas, to 'assist' at the service and enjoy the music?"
"God forbid that I should countenance any of their idolatrous rites."
Public-domain text, read in full here on John Shaqi.
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