The Actress in High Life: An Episode in Winter QuartersBowen, Sue Petigru
General
The Actress in High Life: An Episode in Winter Quarters
Bowen, Sue Petigru
Fiction
That was not the commissary's way. So he began to question abruptly,
in very bad Portuguese, as to the state of her larder, the elder
woman, who, ugly and blear-eyed, with ragged, scanty dress, and bare
feet, yet wore a necklace of beads and earrings of gold. She answered
tartly, that it being a fast-day, there was no flesh in the
house. They had _bacalhao_ and _sardinhas_, and garlic, and pepper,
and onions, and oil; and everything that Christians wanted on a
fast-day. She forgot to say that the house was without flesh many
more days than the church commands. L'Isle, with more address, applied
to the younger woman with better success, inquiring after
accommodations for the ladies. He so moved her that she snatched up
the only lamp in the room, and, leaving the rest of the party in the
growing darkness, ushered the ladies up the ladder, like stairs, to
the only two chambers where they could be private.
Shortridge, meanwhile, finding out the desolate state of the larder,
let the woman know that they had not come unprovided with a stock of
edibles of their own. He urged her to make preparations for cooking
it; so rousing the old man from his chimney corner, she carried him
out with her, and they soon returned with no small part of a
cork-tree; and when Lady Mabel and Mrs. Shortridge came down, a
cheerful blaze had brought out more fully the desolation of the room
in dispelling half its gloom.
"I trust you have found a habitable chamber over head," said L'Isle to
Lady Mabel.
"I were a heretic to complain," she answered. "It is true the room has
no window; but it has a square hole in the wall to let in the light
and let out the foul air. The bed is hard and not over tidy. But what
is wanting in cleanliness is made up in holiness; for the bedstead has
an elaborate crucifix carved at its head, and I shall sleep under its
immediate protection. On the slightest alarm, by merely throwing my
arms upward, I can lay hold on the cross, and nothing will be wanting
to the sense of security but faith in this material symbol of my
faith. I shall have saintly company, too. On the wall to the right is
a print of St. Christopher carrying the infant Christ over a river,
and a bishop, in full canonicals, waiting on the other side, with
outstretched arms, to receive him; on the left, is a picture of
St. Antony, of Padua, preaching to the fishes. Religion is truly part
and parcel of this people's every day life; and the reality of their
devotion, and the falsehood and frivolity of many of its objects, make
a contrast truly painful to me."
Public-domain text, read in full here on John Shaqi.
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