The Actress in High Life: An Episode in Winter QuartersBowen, Sue Petigru
General
The Actress in High Life: An Episode in Winter Quarters
Bowen, Sue Petigru
Fiction
They were now on the outskirts of the undulating plain, on which a
rich soil overlying the granite rocks extends from Evora southward to
the city of Beja. The signs of cultivation and population multiplied
as they went on. The fields became larger and more frequent; detached
farm houses were seen on either hand, and they fell in on the road
with many peasants riding large and spirited asses, or driving oxen
all light bays with enormous horns, and so sleek and well grown, that
the commissary gazed on them with admiring eye and watering mouth, and
pronounced them equally fit for the yoke or the shambles.
It was a relief to find themselves once more in a cultivated country,
and Lady Mabel gazed round, admiring the prospect. "There is," she
observed, "one drawback to the landscape. At home, one of the most
enlivening features in our rural scenes, are the white sheep scattered
on the hills, but here they are almost black."
"But the goats you see are generally white," answered L'Isle. "It is,
too, the more picturesque animal, and well supplies what is wanting in
the sheep."
Evora was at hand. L'Isle launched out into an erudite discourse on
the aqueduct of Sertorius, which, stretching its long line of arches
from the neighboring hills, was converging with their road to the
city. As they entered it he was giving Lady Mabel all the pros and
cons, as to whether it was really the work of that redoubtable Roman.
The commissary was luxuriously anticipating the shade and rest before
him, when to his surprise and regret, L'Isle led the party another
way, and halted them before a small but striking building, which here
crowned the aqueduct at its termination in the city.
"Look, Lady Mabel. Observe it well, Mrs. Shortridge. This castellum is
a miniature embodiment of Roman taste and skill in architecture. This
is no ruin calling upon the imagination to play the hazardous part of
filling up the gaps made by the hand of time. We see it as the Moor,
the Goth, the Roman saw it, save the loss of a few vases which adorned
the depressed parapet, and the scaling plaster which here and there
betrays that the builder used that cheap but immortal material, the
Roman brick."
Much did Lady Mabel admire this architectural gem, scarcely tarnished
by the elements in nineteen centuries, and much more would L'Isle have
found to say of it, when the commissary, impatiently fanning himself
with his hat, ventured to ask, "how much longer shall we stay broiling
in the noon-day sun, staring at this Roman sentry-box?"
"Sentry-box!" said Mrs. Shortridge, with a puzzled air, "were the
Romans a gigantic people?"
"There were giants in those days," said Lady Mabel, gravely, gazing on
the castellum. But a crowd of idlers and beggars began to collect
around the cavalcade, and turning, they rode off, and were soon
enjoying the shelter, if not the more substantial hospitality, of the
_Estalagem de San Antonio_.
CHAPTER X.
Public-domain text, read in full here on John Shaqi.
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