This at any rate was princely, for it was of great size and had a
vaulted ceiling, with moulded ornaments in the peculiar inverted
Arabic style, which looks not so much the design itself as the mould
in which the design was executed; while at intervals round the chamber
were pairs of columns with marvellously carved capitals, supporting
large vaults filled with wonderful mosaics representing hunting
scenes. The walls in between these columns consisted of large slabs of
porphyry divided by slenderer columns; or the rich mosaic borders
known as the Cosmato work. This we saw when Donna Rusidda drew aside
the famous silk tapestries. The chairs, too, and the couches, which
ran all round the walls, were ancient and magnificent; though the
brocade, with which they were covered, was in many places threadbare
or even split. The floor was covered in the Sicilian fashion with
tiles, a hundred or more of which went to form each of the great
arabesque patterns, which looked like vast love-knots tied with orange
and blue ribbons. There were no carpets, and there was a general
appearance of decay, even of mould, in the room, in spite of its
princely proportions and priceless tapestries. But the youthful pair
who were there to receive us, for all the decay of their house and the
rustiness of the faithful servants who surrounded them, looked princes
every inch, worthy descendants of the mighty Frederick.
For one thing they were but recently back from long attendance at the
Court, and were dressed accordingly. For another it was at the Court
that Will and I, though we were but junior lieutenants in His
Britannic Majesty's ship the _Vanguard_, and not long since
midshipmen, had met them. The flavour of royalty therefore was strong,
and there was in them both an innate princeliness. I am sure that
Donna Rusidda, as she came forward to welcome us to the poor house, in
which she had been born, and her ancestors before her, for five
hundred years, looked as fit to be a queen as any woman in Europe: she
was so beautiful, her nostrils, her mouth and chin were so delicately
cut. I have seen no cameo of antiquity equal in beauty of outline to
that which she had executed and presented to Will the time we sailed
away to the reconquest of Naples--the cameo which every day is pinned
on black velvet upon Katherine's wrist, for she is a gentler memory to
Katherine than even to Will. And her slight figure had the
self-reliant elegance of the women of her country.
"Welcome to the Favara, W-Will!" she cried gaily, "and you,
Signor--Tubbie"; and then she broke off into a little peal of
laughter, while the Prince frowned at the liberty she was taking with
His Britannic Majesty's Lieutenant Trinder of the _Vanguard_. But
seeing that I took it as a good jest, he laughed too, a charming
Italian laugh.
Public-domain text, read in full here on John Shaqi.
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