The Advance of English Poetry in the Twentieth CenturyPhelps, William Lyon
History
The Advance of English Poetry in the Twentieth Century
Phelps, William Lyon
American poetry -- 20th century -- History and criticism; English poetry -- 20th century -- History and criticism
Always the friend of small and oppressed nations, whose fate arouses
in him an unquenchable indignation, he published in 1908 paraphrases
from the leading poet of Servia. In view of what has happened during
the last four years, the first sentence of the preface to these
verses, written by Nikola Tesla, has a reinforced emphasis--"Hardly is
there a nation which has met with a sadder fate than the Servian." How
curious today seems the individual or national pessimism that was so
common _before_ 1914! Why did we not realize how (comparatively)
happy we were then? Hell then seems like paradise now. It is as though
an athletic pessimist should lose both legs. Shall we learn anything
from Edgar's wisdom?
O gods! Who is't can say "I am at the worst"?
I am worse than e'er I was.
Another poet, who has had a long and honourable career, is Richard
Burton. He was born at Hartford, Connecticut, on the fourteenth of
March, 1859, and was educated at Trinity and at Johns Hopkins, where
he took the doctor's degree in Anglo-Saxon. For the last twenty years
he has been Professor of English Literature at the University of
Minnesota, and is one of the best teachers and lecturers in the
country. He paradoxically found his voice in a volume of original
poems called _Dumb in June,_ which appeared in 1895. Since then
he has published many books of verse and prose--plays, stories,
essays, and lyrics.
He has shown steady development as a poet--_Poems of Earth's
Meaning_ (he has the habit of bad titles), which came out in 1917,
is his high-water mark. I am glad that he reprinted in this volume the
elegy on the death of Arthur Upson, written in 1910; there is not a
false note in it.
The personality of Richard Burton shines clearly through his work;
cheerful manliness and cheerful godliness. He knows more about human
nature than many pretentious diagnosticians; and his gladness in
living communicates itself to the reader. Occasionally, as in
_Spring Fantasies,_ there is a subtlety easy to miss on a first
of careless reading. On the edge of sixty, this poet is doing his best
singing and best thinking.
Sometimes an author who has been writing all his life will, under the
flashlight of inspiration, reveal deep places by a few words formed
into some phrase that burns its way into literature. This is the case
with Edwin Markham (born 1852) who has produced many books, but seems
destined to be remembered for _The Man With the Hoe_ (1899). His
other works are by no means negligible, but that one poem made the
whole world kin. To a certain extent, the same may be said of Ella
Wheeler Wilcox (born 1855). In spite of an excess of sentimentality,
which is her besetting sin, she has written much excellent verse. Two
sayings, however, will be remembered long after many of her
contemporaries are forgotten:
Laugh and the world laughs with you,
Weep, and you weep alone.
Public-domain text, read in full here on John Shaqi.
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