The Advance of English Poetry in the Twentieth CenturyPhelps, William Lyon
History
The Advance of English Poetry in the Twentieth Century
Phelps, William Lyon
American poetry -- 20th century -- History and criticism; English poetry -- 20th century -- History and criticism
The early death of Herman Knickerbocker Vielé robbed America not only
of one of her most brilliant novelists, but of a poet of fine flavour.
In 1903 he published a tall, thin book, _Random Verse,_ that has
something of the charm and beauty of _The Inn of the Silver
Moon._ In everything that he wrote, Mr. Vielé revealed a winsome
whimsicality, and a lightness of touch impossible except to true
artists. It should also be remembered to his credit that he loved
France with an ardour not so frequently expressed then as now. Indeed,
he loved her so much that the last four years of agony might have come
near to breaking his heart. He was one of the finest spirits of the
twentieth century.
Cale Young Rice was born in Kentucky, on the seventh of December,
1872. He is a graduate of Cumberland University and of Harvard, and
his wife is the famous creator of Mrs. Wiggs. He has been a prolific
poet, having produced many dramas and lyrics, which were collected in
two stout volumes in 1915. In 1917 appeared two new works, _Trails
Sunward_ and _Wraiths and Realities,_ with interesting
prefaces, in which the anthologies of the "new" poetry, their makers,
editors, and defenders, are heartily cudgelled. Mr. Rice is a
conservative in art, and writes in the orthodox manner; although he is
not afraid to make metrical experiments.
I like his lyrical pieces better than his dramas. His verse-plays are
good, but not supremely good; and I find it difficult to read either
blank verse or rimed drama, unless it is in the first class, where
assuredly Mr. Rice's meritorious efforts do not belong.
His songs are spontaneous, not manufactured. He is a natural singer
with such facility that it is rather surprising that the average of
his work is so good. A man who writes so much ought, one would think,
to be more often than not, commonplace; but the fact is that most of
his poems could not be turned into prose without losing their life. He
has limitations instead of faults; within his range he may be counted
on to give a satisfactory performance. By range I mean of course
height rather than breadth. He is at home all over the earth, and his
subjects are as varied as his style.
Josephine Preston Peabody (Mrs. Marks) was born at New York, and took
her degree at Radcliffe in 1894. For two years she was a member of the
English department of Wellesley (two syllables only). Her drama
_Marlowe_ (1901) gave her something like fame, though I have
always thought it was overrated; it is certainly inferior to _The
Death of Marlowe_ (1837), by Richard Hengist Horne. In 1910 her
play _The Piper_ won the Stratford-on-Avon prize, and
subsequently proved to be one of the most successful plays seen on the
American stage in the twentieth century. It was produced by the New
Theatre, the finest stock company ever known in America.
Public-domain text, read in full here on John Shaqi.
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