The Advance of English Poetry in the Twentieth CenturyPhelps, William Lyon
History
The Advance of English Poetry in the Twentieth Century
Phelps, William Lyon
American poetry -- 20th century -- History and criticism; English poetry -- 20th century -- History and criticism
Nicholas Vachel Lindsay--Vachel rimes with Rachel--was born at
Springfield, Illinois--which rimes with boy--on the tenth of November,
1879. His pen name omits the Nicholas. For three years he was a
student at Hiram College in Ohio, and for five years an art student,
first at Chicago, and then at New York. This brings us to the year
1905. From that year until 1910 he drew strange pictures, lectured on
various subjects, and wrote defiant and peculiar "bulletins." At the
same time he became a tramp, making long pilgrimages afoot in 1906
through Florida, Georgia, the Carolinas, and in 1908 he invaded in a
like manner some of the Northern and Eastern States. These wanderings
are described with vigour, vivacity, and contagious good humour in his
book called _A Handy Guide for Beggars_. His wallet contained
nothing but printed leaflets--his poems--which he exchanged for bed
and board. He was the Evangelist of Beauty, preaching his gospel
everywhere by reciting his verses. In the summer of 1912 he walked
from Illinois to New Mexico.
To understand his development, one should read his books not according
to the dates of formal publication, but in the following order: _A
Handy Guide for Beggars_, _Adventures While Preaching the Gospel
of Beauty_, _The Art of the Moving Picture_--these three being
mainly in prose. Then one is ready for the three volumes of poetry,
_General William Booth Enters into Heaven_ (1913), _The
Congo_ (1914), and _The Chinese Nightingale_ (1917). Another
prose work is well under way, _The Golden Book of Springfield_,
concerning which Mr. Lindsay tells me, "The actual Golden Book is a
secular testament about Springfield, to be given to the city in 2018,
from a mysterious source. My volume is a hypothetical forecast of the
times of 2018, as well as of the Golden Book. Frankly the Lindsay the
reviewers know came nearer to existing twelve years ago than today, my
manuscripts are so far behind my notes. And a thing that has helped in
this is that through changing publishers, etc., my first prose book is
called my latest. If you want my ideas in order, assume the writer of
the _Handy Guide for Beggars_ is just out of college, of
_Adventures While Preaching_ beginning in the thirties, and
_the Art of the Moving Picture_ half-way through the thirties.
The Moving Picture book in the last half embodies my main social ideas
of two years ago. In mood and method, you will find _The Golden Book
of Springfield_ a direct descendant of the general social and
religious philosophy which I crowded into the photoplay book whether
it belonged there or not. I hope you will do me the favour and honour
to set my work in this order in your mind, for many of my small public
still think _A Handy Guide for Beggars_ the keynote of my present
work. But it was really my first wild dash."
The above letter was written 8 August, 1917.
Public-domain text, read in full here on John Shaqi.
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