The Advance of English Poetry in the Twentieth CenturyPhelps, William Lyon
History
The Advance of English Poetry in the Twentieth Century
Phelps, William Lyon
American poetry -- 20th century -- History and criticism; English poetry -- 20th century -- History and criticism
Another young woman poet is Fannie Stearns Davis (Mrs. Grifford). The
quality of her mind as displayed in her two books indicates
possibilities of high development. She was born at Cleveland, on the
sixth of March, 1884, is a graduate of Smith College, was a teacher in
Wisconsin, and has made many contributions to various magazines. Her
first book of poems, _Myself and I_, appeared in 1913; two years
later came the volume called _Crack o' Dawn_. She is not much
given to metrical adventure, although one of her most original poems,
_As I Drank Tea Today_, has an irregular rime-scheme. For the
most part, she follows both in subject and style the poetic tradition.
She has the gift of song--not indeed in the superlative degree--but
nevertheless unmistakable; and she has a full mind. She is neither
optimist nor pessimist; I should call her a sympathetic observer. The
following poem sums up fairly well her accumulated wisdom:
I have looked into all men's hearts.
Like houses at night unshuttered they stand,
And I walk in the street, in the dark, and on either hand
There are hollow houses, men's hearts.
They think that the curtains are drawn,
Yet I see their shadows suddenly kneel
To pray, or laughing and reckless as drunkards reel
Into dead sleep till dawn.
And I see an immortal child
With its quaint high dreams and wondering eyes
Sleeping beneath the hard worn body that lies
Like a mummy-case defiled.
And I hear an immortal cry
Of splendour strain through the sodden words,
Like a flight of brave-winged heaven-desirous birds
From a swamp where poisons lie.
--I have looked into all men's hearts.
Oh, secret terrible houses of beauty and pain!
And I cannot be gay, but I cannot be bitter again,
Since I looked into all men's hearts.
There is one commandment that all poets under the first class, and
perhaps some of those favoured ones, frequently break: the tenth. One
cannot blame them, for they know what poetry is, and they love it.
They not only know what it is, but their own limited experience has
taught them what rapture it must be to write lines of flawless beauty.
This unconquerable covetousness is admirably and artistically
expressed in Fannie Davis's poem, _After Copying Goodly Poetry_.
It is an honest confession; but its author is fortunate in being able
to express vain desire so beautifully that many lesser poets will
covet her covetousness.
Theodosia Garrison was born at Newark, New Jersey, on the twenty-sixth
of November, 1874. She has published three volumes of verse, of which
perhaps the best known is _The Joy of Life_ (1909). At present
she is engaged in war work, where her high faith, serene womanliness,
and overflowing humour ought to make her, in the finest sense of the
word, efficient. Her short poem on the war is a good answer to
detractors of America.
APRIL 2nd
Public-domain text, read in full here on John Shaqi.
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