The Advance of English Poetry in the Twentieth CenturyPhelps, William Lyon
History
The Advance of English Poetry in the Twentieth Century
Phelps, William Lyon
American poetry -- 20th century -- History and criticism; English poetry -- 20th century -- History and criticism
There is a land uncharted of meadows and shimmering mountains,
Stiller than moonlight silence brooding and wan,
The land of long-wandering music and dead unmelodious fountains
Of singing that rose in the dreams of them that are gone.
That rose in the dreams of the dead and that rise in the
dreams of the living,
Fleeting, bodiless songs that passed in the night,
Winging away on the moment of wonder their cadence was giving
Into the deeps of the valleys of stifled delight.
Richard Butler Glaenzer, B.A. 1898, whose verses have frequently been
seen in various periodicals, collected them in _Beggar and King_,
1917. His poems cover a wide range of thought and feeling, but I like
him best when he is most whimsical, as in
COMPARISONS
Jupiter, lost to Vega's realm,
Lights his lamp from the sun-ship's helm:
Big as a thousand earths, and yet
Dimmed by the glow of a cigarette!
Mr. Glaenzer has published a number of verse criticisms of
contemporary writers, which he calls _Snapshots_. These display
considerable penetration; perhaps the following is fairly
illustrative.
CABLE
To read your tales
Is like opening a cedar-box
Of ante-bellum days,
A box holding the crinoline and fan
And the tortoise-shell diary
With flowers pressed between the leaves
Belonging to some languid _grande dame_
Of Creole New Orleans.
Benjamin R. C. Low, B.A. 1902, a practising lawyer, has published four
or five volumes of poems, including _The Sailor who has Sailed_
(1911), _A Wand and Strings_ (1913) and _The House that Was_
(1915). He is seen at his best in _These United States_,
dedicated to Alan Seeger, which appeared in the _Boston
Transcript_, 7 February, 1917. This is an original, vigorous work,
full of the unexpected, and yet seen to be true as soon as expressed.
His verses show a constantly increasing grasp of material, and I look
for finer things from his pen.
Although Mr. Low seems to be instinctively a romantic poet, he is fond
of letting his imaginative sympathy play on common scenes in city
streets; as in _The Sandwich Man_.
The lights of town are pallid yet
With winter afternoon;
The sullied streets are dank and wet,
The halted motors fume and fret,
The world turns homeward soon.
There is no kindle in the sky,
No cheering sunset flame;
I have no help from passers-by,--
They part, and give good-night; but I....
Walk with another's name.
I have no kith, nor kin, nor home
Wherein to turn to sleep;
No star-lamp sifts me through the gloam,
I am the driven, wastrel foam
On a subsiding deep.
I do not toil for love, or fame,
Or hope of high reward;
My path too low for praise or blame,
I struggle on, each day the same,
My panoply--a board.
Who gave me life I do not know,
Nor what that life should be,
Or why I live at all; I go,
A dead leaf shivering with snow,
Under a worn-out tree.
Public-domain text, read in full here on John Shaqi.
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