The Advance of English Poetry in the Twentieth CenturyPhelps, William Lyon
History
The Advance of English Poetry in the Twentieth Century
Phelps, William Lyon
American poetry -- 20th century -- History and criticism; English poetry -- 20th century -- History and criticism
Today he takes my neighbour's wife,
And leaves a little child
To lie upon his breast and cry
Like the Night-wind, so wild.
And every hour its voice is heard--
Tell me where is she gone!
Death cannot play that game with me--
If I do live alone.
The feather-weight pocket-volumes of verse that this poet puts forth,
each containing a crop of tiny poems--have an excellent virtue--they
are interesting, good companions for a day in the country. There is
always sufficient momentum in page 28 to carry you on to page
29--something that cannot be said of all books.
English literature suffered a loss in the death of Edward Thomas, who
was killed in France on the ninth of April, 1917. He was born on the
third of March, 1878, and had published a long list of literary
critiques, biographies, interpretations of nature, and introspective
essays. He took many solitary journeys afoot; his books _The South
Country_, _The Heart of England_, and others, show both
observation and reflection. Although English by birth and education,
he had in his veins Welsh and Spanish blood.
In 1917 a tiny volume of his poems appeared. These are unlike any
other verse of the past or present. They cannot be called great
poetry, but they are original, imaginative, whimsical, and reveal a
rich personality. Indeed we feel in reading these rimes that the
author was greater than anything he wrote or could write. The
difficulty in articulation comes apparently from a mind so full that
it cannot run freely off the end of a pen.
Shyness was undoubtedly characteristic of the man, as it often is of
minute observers of nature. I am not at all surprised to learn from
one who knew him of his "temperamental melancholy." He was austere and
aloof; but exactly the type of mind that would give all he had to
those who possessed his confidence. It must have been a privilege to
know him intimately. I have said that his poems resemble the work of
no other poet; this is true; but there is a certain kinship between
him and Robert Frost, indicated not only in the verses, but in the
fact that his book is dedicated to the American.
His death accentuates the range of the dragnet of war. This
intellectual, quiet, introspective, slightly ironical temperament
would seem almost ideally unfitted for the trenches. Yet, although no
soldier by instinct, and having a family dependent upon his writings
for support, he gave himself freely to the Great Cause. He never
speaks in his verses of his own sacrifice, and indeed says little
about the war; but the first poem in the volume expresses the
universal call.
Rise up, rise up,
And, as the trumpet blowing
Chases the dreams of men,
As the dawn glowing
The stars that left unlit
The land and water,
Rise up and scatter
The dew that covers
The print of last night's lovers--
Scatter it, scatter it!
Public-domain text, read in full here on John Shaqi.
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