The Advance of English Poetry in the Twentieth CenturyPhelps, William Lyon
History
The Advance of English Poetry in the Twentieth Century
Phelps, William Lyon
American poetry -- 20th century -- History and criticism; English poetry -- 20th century -- History and criticism
One reason for this predominance is the man's sincerity. All those who
know him regard him with reverence; and to us who know him only
through his books and his friends, his sincerity is equally clear and
compelling. He has done more than any other man to make Dublin a
centre of intellectual life. At one time his house was kept open every
Sunday evening, and any friend, stranger, or foreigner had the right
to walk in without knocking, and take a part in the conversation. A.
E. used to subscribe to every literary journal, no matter how obscure,
that was printed in Ireland; every week he would scan the pages,
hoping to discover a man of promise. It was in this way he "found"
James Stephens, and not only found him, but founded him. Many a
struggling painter or poet has reason to bless the gracious assistance
of George W. Russell.
It is a singular thing that the three great men of modern Ireland seem
more like disembodied spirits than carnal persons. Synge always seems
to those who read his books like some ghost, waking the echoes with
ironical laughter; I cannot imagine A. E. putting on coat and
trousers; and although I once had the honour--which I gratefully
remember--of a long talk with W. B. Yeats, I never felt that I was
listening to a man of flesh and blood. It is fitting that these men
had their earthly dwelling in a sea-girt isle, where every foot of
ground has its own superstition, and where the constant mists are
peopled with unearthly figures.
I do not really know what mysticism is; but I know that Mr. Yeats and
Mr. Russell are both mystics and of a quite different stamp. Mr. Yeats
is not insincere, but his mysticism is a part of his art rather than a
part of his mind. He is artistically, rather than intellectually,
sincere. The mysticism of Mr. Russell is fully as intellectual as it
is emotional; it is more than his creed; it is his life. His poetry
and his prose are not shadowed by his mysticism, they emanate from it.
He does not have to live in another world when he writes verse, and
then come back to earth when the dinner or the door bell rings; he
lives in the other world all the time. Or rather, the earth and common
objects are themselves part of the Universal Spirit, reflecting its
constant activities.
DUST
I heard them in their sadness say
"The earth rebukes the thought of God;
We are but embers wrapped in clay,
A little nobler than the sod."
But I have touched the lips of clay,
Mother, thy rudest sod to me
Is thrilled with fire of hidden day,
And haunted by all mystery.
Public-domain text, read in full here on John Shaqi.
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