She was visited by the Spanish and Imperial ambassadors, and divers other foreigners of distinction, to whom Melvil had letters of recommendation. But her first public appearance was in a box at the opera, accompanied by Madam Clement, the Count, and Don Diego. The entertainment was already begun, so that her entrance had the greater effect upon the audience, whose attention was soon detached from the performance, and riveted upon this amiable apparition, which seemed to be some bright being of another world dropped from the clouds among them. Then did the spirit of curiosity play its part. A thousand whispers circulated; as many glasses were exalted to reconnoitre this box of foreigners; for such they concluded them to be from their appearance. Every male spectator acknowledged Serafina to be the paragon of beauty; and every female confessed, that Melvil was the model of a fine gentleman. The charms of the young Countess did not escape the eye and approbation of royalty itself; and when her rank was known, from the information of the ambassadors and other people of condition who were seen saluting her at a distance, that same evening a thousand bumpers were swallowed in honour of the Countess de Melvil. The fame of her beauty was immediately extended over this immense metropolis, and different schemes were concerted for bringing her into life. These, however, she resisted with unwearied obstinacy. Her happiness centred in Renaldo, and the cultivation of a few friends within the shade of domestic quiet. She did not even forget the concerns of the wretched Fathom and his faithful Elenor, who daily enjoyed fresh instances of her humanity and care. When his fever forsook him, he was supplied with nourishing food for the recovery of his health; and as soon as he found himself in a condition to travel, he gave notice to his benefactor, who desired Joshua to settle with him the manner in which he was to receive his allowance, and to pay the first half-year's salary per advance.