The Adventures of Gil Blas of Santillane, Volume 1 (of 3)Le Sage, Alain René
General
The Adventures of Gil Blas of Santillane, Volume 1 (of 3)
Le Sage, Alain René
Adventure and adventurers -- Fiction; Blas, Gil (Fictitious character) -- Fiction
Such was the tenor of the conversation before dinner, and it was not
much mended in its morality at table. As I should never have done
with the recital of all their ribaldry and nonsense, the reader will
excuse the omission, and pass on to the entrance of a poor devil,
yclept an author, who called just before the cloth was taken away.
Our little footboy came, and said to my mistress in an audible voice,
Madam, a man in a dirty shirt, splashed up to his middle, with very
much the look of a poet, saving your presence, wants to speak to you.
Let him walk up, answered Arsenia. Keep your seats, gentlemen, it is
only an author. To be sure so it was, one whose tragedy had been
accepted, and he was bringing my mistress her part. His name was
Pedro de Moya. On coming into the room he made five or six low bows
to the company, who neither rose nor took the least notice of him.
Arsenia just returned his superabundant civilities with a slight
inclination of the head. He came forward with tremor and
embarrassment. He dropped his gloves and let his hat fall. He
ventured to pick them up again, then advanced towards my mistress,
and presenting to her a paper with more ceremony than a defendant an
affidavit to the judge of the court: Madam, said he, have the
goodness to receive under your protection the part I take the liberty
of offering you. She stretched out her hand for it with cold and
contemptuous indifference; nor did she condescend even to notice the
compliment by a look.
But our author was not disheartened. Seizing this opportunity to
distribute the cast, he gave one character to Rosimiro and another to
Florimonde, who treated him just as genteelly as Arsenia had done.
On the contrary, the low comedian, a very pleasant fellow, as those
gentlemen for the most part affect to be, insulted him with the most
cutting sarcasms. Pedro de Moya was not made of stone. Yet he dared
not take up the aggressor, lest his piece should suffer for it. He
withdrew without saying a word, but stung to the quick, as it seemed
to me, by his reception. He could not fail, in the transports of his
anger, mentally to apostrophize the players as they deserved: and the
players, when he was gone, began to talk of authors in return with
infinite deference and kindness. It should seem, said Florimonde, as
if Signor de Moya did not go away very well pleased.
Public-domain text, read in full here on John Shaqi.
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