The Adventures of Harry Richmond — CompleteMeredith, George
General
The Adventures of Harry Richmond — Complete
Meredith, George
Adventure and adventurers -- Fiction
He would walk up to a bookcase and take down a volume, when the
interjectional fit waxed violent, flip the pages, affecting a
perplexity he would assuredly have been struck by had he perused them,
and read, as he did once,—'Italy, the land of the sun! and she is to be
hurried away there, and we are left to groan. The conspiracy is
infamous! One of the Family takes it upon himself to murder us! and she
is to be hurried out of hearing! And so we are to have the blood of the
Roys spilt for nothing?—no!' and he shut up the book with a report, and
bounded to my side to beg pardon of me. From his particular abuse of
the margravine, the iteration of certain phrases, which he uttered to
denounce and defy them, I gathered that an interview had passed between
the two, and that she had notified a blockade against all letters
addressed to the princess. He half admitted having rushed to the palace
on his road to me.
'But, Richie,' said he, pressing me again to write the moving line, 'a
letter with a broad black border addressed by me might pass.' He looked
mournfully astute. 'The margravine might say to herself, “Here's Doctor
Death in full diploma come to cure the wench of her infatuation.” I am
but quoting the coarse old woman, Richie; confusion on her and me! for
I like her. It might pass in my handwriting, with a smudge for paternal
grief—it might. “To Her Serene Highness the Margravine of Rippau, etc.,
etc., etc., in trust for the Most Exalted the Princess of
Eppenwelzen-Sarkeld.” I transpose or omit a title or so. “Aha!” says
she, “there's verwirrung in Roy's poor head, poor fellow; the boy has
sunk to a certainty. Here (to the princess), it seems, my dear, this is
for you. Pray do not communicate the contents for a day or so, or a
month.”'
His imitation of the margravine was the pleasantest thing I heard from
him. The princess's maid and confidante, he regretted to state, was
incorruptible, which I knew. That line of Ottilia's writing, 'Violets
are over,' read by me in view of the root-mountain of the Royal House
of Princes, scoffed at me insufferably whenever my father showed me
these openings of his mind, until I was dragged down to think almost
that I had not loved the woman and noble soul, but only the glorified
princess—the carved gilt frame instead of the divine portrait! a
shameful acrid suspicion, ransacking my conscience with the thrusting
in of a foul torch here and there.
Public-domain text, read in full here on John Shaqi.
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