'Do you see that man,' said he, 'who is just entering; three boxes
distant on the right? He is handing two ladies to their seats, and is
followed by a youngster who is all pertness and powder. They make a
great shew, and on a first night give an appearance of good company.
That is Mynheer van Hopmeister, a Dutch dancing-master, with his
daughter, son, and a kept mistress. They live all together on very
good terms; and his own girl has preserved her character by her
ugliness, affectation, and ill breeding. He drives about in his
chariot, which passing in the street you would suppose belonged to
a Neapolitan Count, or a German Envoy at least. He gives dinners
occasionally of several removes, to which he invites all the fools and
fiddlers he can find, treats with French wines, and usually makes up a
quartet party for the evening, which he spoils by playing a principal
part himself. He is nearly two thousand pounds in debt; and, in all
things mimicking the great, has been obliged to put his affairs to
nurse. Except the booby his son, he is the most prating, forward,
ignorant coxcomb of my acquaintance; and that is a bold word. But his
impertinence makes him amusing: I will introduce you.'
I thanked my gentleman for his politeness, but declined the offer: and
he continued.
'Look at that man in brown, leaning against the pillar! He is a
painter, and a man of genius; but the greatest ass existing!'
'How? Of genius, and--!'
'Hear and judge for yourself. No man has studied his art with so much
assiduity and zeal, or practised it with greater enthusiasm; but,
instead of confining himself to portrait-painting, by which with half
the labour and one tenth of the talent he might have made a fortune,
he devoted all his youth to poverty and starving, and undertook a
series of paintings that would have immortalized a man under the
patronage of Leo. X. This task he was years in accomplishing, living
all the while on little better than bread and water, and that procured
by robbing his nights of the hours of rest; for his pride, which he
calls independence, is as great as his ambition, which he dignifies
with the title of a love of fame. But the most prominent trait in his
character is a jealous--'
Here my commentator, suddenly interrupting himself, pressed my arm,
and bade me turn to the left.
Public-domain text, read in full here on John Shaqi.
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