Every night there were (in the language of the play-bills of
provincial theatres) "singing and dancing, with a variety of other
entertainments;" the "other entertainments" occasionally consisting
(as is scandalously affirmed) of a very favourite class of
entertainment - popular at all times, but running mad riot at the
Christmas season - wherein two performers of either sex take their
places beneath a white-berried bough, and go through a species of
dance, or ~pas de fascination~, accompanied by mysterious rites and
solemnities that have been scrupulously observed, and handed down to
us, from the earliest age.
Mr. Verdant Green, during the short - alas! ~too~ short - Christmas
week, had performed more polkas than he had ever danced in his life;
and, under the charming tuition of Miss Patty Honeywood, was fast
becoming a proficient in the ~valse a deux temps~. As yet, the whirl
of the dance brought on a corresponding rotatory motion of the brain,
that made everything swim before his spectacles in a way which will
be easily understood by all bad travellers who have crossed from
Dover to Calais with a chopping sea and a gale of wind. But Miss
Patty Honeywood was both good-natured and persevering: and she
allowed our hero to dance on her feet without a murmur, and
watchfully guided him when his giddy vision would have led them into
contact with foreign bodies.
[AN OXFORD FRESHMAN 189]
It is an old saying, that Gratitude begets Love. Mr. Verdant Green
had already reached the first part of this dangerous creation, for he
felt grateful to the pretty Patty for the good-humoured trouble she
bestowed on the awkwardness, which he now, for the first time, began
painfully to perceive. But, what his gratitude might end in, he had
perhaps never taken the trouble to inquire. It was enough to Mr.
Verdant Green that he enjoyed the present; and, as to the future, he
fully followed out the Horatian precept-
Quid sit futurum cras, fuge quaerere;
* * * nec dulces amores
Sperne, puer, neque tu choreas.
Public-domain text, read in full here on John Shaqi.
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