The noisiest part of the parade began with the Algerian village. Drums
resounded, clarinets screeched, castanets clattered, and the shrill
cries of the dancing girls rose above all the tumult. The girls rode in
rolling chairs, and while they were not busy rivaling the banshee of
Ireland, they laughed and flirted to their hearts' content.
The Chinese was the most gorgeous contingent in the column. Costumed in
rare and brilliant silks, ablaze with gold and silver, the Chinese
actors and actresses made a brilliant appearance. But it was the dragon
that wriggled behind them that caught the crowd. It was 125 feet long,
and its mouth was big enough to swallow a man without tearing his
clothes on its fangs. When it passed the beer tunnel in the "Plaisance,"
its glaring eyes turned toward a man whose best friends have been to
Dwight. The man shuddered and drew a long and nervous breath.
"Take me away from here, Bill," the man said to his companion. "I never
thought I could get in this kind of a fix. I'm a quitter right now."
From a distance it looked like a monster sea serpent on a spree. It was
really a dragon, at least that's what the Chinese call it; but it was in
fact the finest exhibit ever beheld of what a diseased imagination can
do for a victim of strong drink. It could easily claim the prize as
being the most terrifying object on earth.
The people from the "Street of Cairo," afoot and mounted on camels and
donkeys, headed their part of the procession with the Turkish flag, and
swift-footed runners guarded the banner, while men in rusty, antique
chain-armor were near to defend. A horde of fakirs and jugglers of all
colors, from jet-black Soudanese to fair-faced Greeks, pressed close at
their heels, stripped to the waists, with bare feet, and cutting up all
sorts of tricks. Swordsmen, garbed in long robes, twirling naked blades
and shields as they hopped about one another in imitation of combat;
more donkey boys; Nubians bearing carved Egyptian images, one of which
was of the sacred bull done in gold; bayaderes and nautch dancers, not
very good looking, but with fine white arms and well-turned ankles and
gorgeous in oriental robes and colors--all flocked after the fakirs.
Then came the Persians, the women playing upon hurdy-gurdies and singing
a plaintive air more suggestive of melody than any other native music
in the line. The lion banner of the Shah was carried proudly, and this
detachment closed with a score of Persian gladiators, naked to the
waist. They seemed to be superbly executed pieces of bronze set in
motion.
Public-domain text, read in full here on John Shaqi.
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