The batch from which glass is made is composed of sand, lead, saltpetre,
potash and soda. It has to be cooked in the terrible heat for
twenty-four hours before it is fit for use. In front of the working
holes are the workmen. A long steel tube is thrust into the batch and a
quantity of the mixture accumulated on the end. From the moment it is
taken out of the crucible until the form is completed the operator
never allows the hot glass to be still for a moment. It is always
moving.
The second floor of the building is a lively place. It is here that the
cutting is done. The process is most interesting and shows the highest
skill of the glass-worker's art.
Opposite the cutting department is the glass spinning and weaving
department. The spinning of glass into fine threads is done by means of
a wheel nine feet in diameter which revolves twenty times a minute. A
glass rod is exposed at one end to a blowpipe flame. When the glass is
melted it is attached to the periphery of the wheel and the operator
sits with watch in front of him. Every minute the position of the
melting glass is shifted until the broad wheel is filled, when it is
stopped and the glass is cut and taken off, made into the desired
lengths and taken to the loom. The weaving is done by girls on hand
looms. Two hundred threads of glass are woven alternately with one
thread of silk. The thread is made up into napkins, neckties, lamp
shades, bonnets and hats.
[Illustration: "SHE THOUGHT VERY DIFFERENTLY OF HIM NOW."]
Public-domain text, read in full here on John Shaqi.
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