From here they went over to the Midway Plaisance. The "Street in Cairo"
was to be opened with a great parade of some kind and they wanted to see
it. The natives call it _Mars-al-Kabia_. In fact the Street in Cairo was
all the curiosities of Egyptian Cairo's streets crowded into one Chicago
Cairo Street. It was a splendid sight with its gardens and squares, its
temples, its towers and minaret made in the most Arabesque architecture
and ornamented with the most fantastic draperies. The inhabitants had
been directly transported from old Cairo across the sea to Midway
Plaisance. There were the importunate street venders, the donkey boys
begging and pulling at the clothing of the visitors, the pompous drivers
of camels beseeching the visitors to try their "ship of the desert;"
tom-tom pounders, reed blowers, fakirs, child acrobat beggars,
Mohammedans, Copts, Jews, Franks, Greeks, Armenians, Nubians, Soudanese,
Arabs, Turks, and men and women from all over the Levant, all in the
gorgeous apparel of the East, filling the booths or strolling about the
street. They were the happiest lot of Orientals that ever got so far
away from home. Drums were beating, camel drivers singing merry songs,
and a curious medley of voices which the earth beneath them never heard
before. At eleven o'clock somebody blew a strange kind of horn, which
made the small boy almost kill himself in his frenzy to get near to see
what it meant.
Musicians mounted the camels and began grinding out music that was
enough to frighten even a North American Indian to death. At the first
glimpse of the camels a team of steady old horses, that probably were
never frightened before, ran away with the gravel wagon which they had
been patiently dragging along. Little Arabs and Soudanese ran ahead of
the procession turning somersets and clapping their hands in hilarious
glee. There were warriors hopping about and clashing shields and swords
together in mimic battle. In front of Hagenbeck's show the lions were
aroused from their slumber in the den above the entrance, and they stood
before the bars and roared at the procession. Then the dancing girls
came skipping along, followed by a bride and her maids, for at last it
was seen to be a bridal procession that was celebrating the opening of
"Cairo street" in Chicago.
Here is the circus of the "Plaisance," where the visitors are the actors
and the clowns. Every hour can be seen a bevy of pretty girls escorted
by a brother or some dapper young man. The camel drivers hail them. What
a chance for a lark! "Let's have a ride on the back of the queer
creature," says one maiden. "Oh! you wouldn't dare," replies brother.
"Wouldn't I, though? Just watch me," is the modern maiden's response.
She approaches the dromedary, which opens one eye by way of recognition.
[Illustration: "Hurrah! It humps in front, jumps behind, and paces in
the middle."]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account