Aeneas (Legendary character) -- Poetry; Epic poetry, Latin -- Translations into English; Legends -- Rome -- Poetry
The river ran backward and the banks jumped sideways,
And Cacus’ den stood open, that great palace
Under the rock, the chambered vault of shadows.
An earthquake, so, might bring to light the kingdoms
Of the world below the world, the pallid regions
Loathed by the gods, the gulf of gloom, where phantoms
Shiver and quake as light descends upon them.
So there was Cacus, desperate in the light,
Caught in the hollow rock, howling and roaring
As Hercules rained weapons down upon him,
Everything he could use, from boughs to millstones,
But Cacus still had one way out of the danger:
A cloud of smoke rolled out of his jaws; the cave
Darkened to utter blackness, thick night rolling
With fitful glints of fire. This was too much
For Hercules in his fury; he jumped down through it,
Through fire, where the smoke came rolling forth the thickest,
Where the black billows seethed around the cavern.
And Cacus, in the darkness, to no purpose
Poured forth his fire and smoke. Hercules grabbed him,
Twisted him into a knot, hung on and choked him
Till the eyes bulged out and the throat was dry of blood.
He tore the doors loose, and the house was open;
People could see the lost and stolen plunder,
And Hercules dragged the shapeless ugly carcass
Out by the feet, a fascinating object
For the gaze of men, the terrible eyes, the muzzle,
The hairy chest, and the fire dead in the gullet.
Ever since then we keep this day, rejoicing
In honor of our deliverance; Potitius
Was founder of the rite, Pinaria’s household
Custodian of the service. In this grove
We set our altar, calling it the greatest,
And greatest it shall be, to me, forever.
Join with us, then, in honor of all that glory,
Bind wreaths around your temples, reach the wine-cup,
Call with good-will upon our common god.”
He veiled his hair with the two-colored poplar
In Hercules’ honor, and held out the goblet;
All made libation and prayer.
Public-domain text, read in full here on John Shaqi.
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