After he has flown several times as a passenger, and watched all that
his instructor does while in the air, the pupil reaches the second stage
of his tuition; and in this he is seated alone in a machine, and allowed
to drive it here and there across the aerodrome. The biplane is
adjusted, as a rule, so that it will not fly; and this process of the
training--which is called “rolling” at the schools--is to enable a
novice to handle his craft neatly while on the ground, to learn to steer
to right or left, to keep it when necessary upon a straight course, and
to accustom himself to the starting and stopping and control of his
engine. This practice is important. With his motor giving just
sufficient power to make the controls of the machine effective, but not
enough to lift it into the air, the pupil “rolls” from one side of the
aerodrome to the other; then he turns by a movement of his rudder, which
swings the tail of the machine, and returns again to his starting-point,
striving always to keep his craft from swinging sideways. He finds,
while making these long, straight runs, that the machine shows a
tendency, if the controls are untouched, to swerve a little to the left;
and this is caused by the influence of the propeller, which is revolving
to the left. But the inclination may be checked quite easily by a
movement of the rudder to the right.
With a school biplane, adapted for its work, a novice may soon learn to
steer while on the ground; but with some other types of machine--notably
a fast monoplane--“rolling” is by no means easy. A racing craft, for
instance, when it is moving across the aerodrome, needs most expert
handling: even the smallest error of judgment in the use of the rudder
may send it whirling round upon itself in a violent turn--rather like an
angry bird; while if the pilot attempts to swerve too abruptly, in
avoiding any obstacle before him, the machine may reel sideways and
overturn--and, seeing that it is travelling at a speed greater than that
of an express, the resulting smash may be a serious one.
Public-domain text, read in full here on John Shaqi.
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