The Afghan War of 1879-80: Being a Complete Narrative of the Capture of Cabul, the Siege of Sherpur, the Battle of Ahmed Khel, the Brilliant March to Candahar, and the Defeat of Ayub Khan, with the Operations on the Helmund, and the Settlement with Abdur Rahman KhanHensman, Howard
History
The Afghan War of 1879-80: Being a Complete Narrative of the Capture of Cabul, the Siege of Sherpur, the Battle of Ahmed Khel, the Brilliant March to Candahar, and the Defeat of Ayub Khan, with the Operations on the Helmund, and the Settlement with Abdur Rahman Khan
In Cabul the better class of houses all present the same appearance
outside: that of high brown mud walls, with one or two small doorways.
Nothing can be more uninviting than these sun-baked walls, which, from
the Mediterranean eastwards, always mark the residence of a Mussulman
population. But within them there is much to atone for their forbidding
exterior. Entering one of these large houses in the Bala Hissar some
days ago, I found myself in an inner courtyard full 20 yards square. At
either end were sets of rooms with open verandahs in front, built of a
framework of wood fitted in with bricks, and then carefully plastered
over. The lower rooms were four or five feet above the level of the
courtyard, and broad flights of steps led up to them. Every bit of wood
used as supports or for partition walls had been carved and fretted with
great skill, while the inner rooms were cut off from the glare outside
by carved wooden screens, some of the patterns being extremely pretty.
But the greatest wealth of ornamentation had been lavished above, in
what were the quarters of the women. A handsome wooden staircase, broad
enough for four persons to walk abreast, led up to these; and once on
the higher level the change from the dull brown below was quite
refreshing. There was the same repetition of carved woodwork and open
screens; but the inner walls were gay with frescoes in every colour, the
plaster being covered with native designs of scroll-work, filled in with
birds of startling plumage and flowers of hues to shame the rainbow. The
ceilings and cornices were similarly adorned, the latter being set with
mirrors in long narrow strips of various sizes. The recesses for lamps
and the lintels of the doors had all shared in the general
ornamentation, and to its inmates the _zenana_ must have seemed a
triumph of artistic skill. All was deserted now, not even a door
remaining on its hinges. The carved work was smashed as if some reckless
soldier had thrust his rifle stock through it; the bits of mirror were
starred with stray blows, and the plaster had been broken from the walls
as the woodwork had been torn away. The wood from the staircases leading
to the roof, the favourite evening gossiping place of the sirdars,
ladies, and attendants, had all been carried away, and the gaping holes
through which the sunlight poured were eloquent of desolation. And it is
a desolation well deserved, for it was in just such a house, with
courtyard and pleasant upper rooms (perhaps not so elaborately
decorated, the whitewash covering the beauties of the frescoes) that
Cavagnari was lodged. The Bala Hissar may at last meet with the fate
which it deserved, and narrowly escaped, when Pollock was master of
Cabul in 1842: and soon not one mud wall may remain to stare its
neighbour out of countenance. The large godowns in the Upper Fortress
are still full of powder—nearly a million pounds; but, with this
exception, the place has been cleared of all its warlike stores. The
Public-domain text, read in full here on John Shaqi.
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