The Afghan War of 1879-80: Being a Complete Narrative of the Capture of Cabul, the Siege of Sherpur, the Battle of Ahmed Khel, the Brilliant March to Candahar, and the Defeat of Ayub Khan, with the Operations on the Helmund, and the Settlement with Abdur Rahman KhanHensman, Howard
History
The Afghan War of 1879-80: Being a Complete Narrative of the Capture of Cabul, the Siege of Sherpur, the Battle of Ahmed Khel, the Brilliant March to Candahar, and the Defeat of Ayub Khan, with the Operations on the Helmund, and the Settlement with Abdur Rahman Khan
thirty-one, was fired by the Horse Artillery. At the same instant the
opening bars of the National Anthem were heard as the bands struck up,
the shrill pipes of the Highlanders ringing out above the din. The sight
was a most impressive one, the sun lighting up the double line along
which 4,000 bayonets sparkled, and throwing into bold relief the darker
forms of men and horses where the cavalry were drawn up. In the
background were the brown slopes of the Siah Sung Ridge, crowned by the
white lines of tents which marked our camp, then almost deserted. Only a
few spectators from the city clustered on the road from the Lahore Gate,
and watched the spectacle, the mass of the people remaining sullenly
within the walls.
The smoke of the first three or four guns had not cleared off when the
company of the 67th nearest the gate faced round, and followed by their
band, marched into the Bala Hissar—the first British regiment that had
entered its narrow streets since 1842. (It is worthy of record that the
“quick-step” played by the 67th is the same as that of the ill-fated
44th Regiment, not a man of which escaped to tell the tale of the
disastrous retreat from Cabul which Pollock avenged.) Following the
band, General Roberts and his little train of mounted men rode into the
fortress, and took their way through its narrow streets to the Amir’s
garden under the walls of the Upper Bala Hissar. At either end of this
garden, which is now merely a neglected wilderness, are two of the
ordinary wooden native pavilions, the one to the south containing what
is called the “Audience Chamber.” This is approached by a flight of
dirty wooden stairs, and is about twenty feet above the ground-level.
The chamber is quite open on the side facing the garden, so that a crowd
below could be addressed from it, and it also gives a good view over the
city, with its background of high hills. The room was soon filled with
the gay uniforms of the General and his staff and such officers as were
not on duty with their regiments, and then the Durbar began, the Cabul
Sirdars crowding in at a signal, and pressing forward to make their
salaams to their latest conqueror. It was intended that the Amir should
have accompanied General Roberts into the Bala Hissar; but at the last
moment he pleaded indisposition, and was excused.[15] His eldest son,
the heir-apparent, was sent instead. He is a child of five or six years
of age, with a monkeyish cast of face, which not even the glitter and
colour of his _bizarre_ coat and hat, gorgeous in green and gold, could
soften or render at all prepossessing. The youngest was of little
account, being squeezed against the wooden framework of the pavilion by
the greasy Sirdars, who could not control themselves in their eagerness
to pay their respects. The General was not at all cordial in his
reception of them; and it was not surprising, for a more servile or
repulsive audience could not have been selected. Scarcely a face was
Public-domain text, read in full here on John Shaqi.
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