Detective and mystery stories; Murder -- Fiction; Yachts -- Fiction
McWhirter went back to his hospital, the day after our struggle,
wearing a strip of plaster over the bridge of his nose and a new air of
importance. The Turners went to New York soon after, and I was alone. I
tried to put Elsa Lee out of my thoughts, as she had gone out of my
life, and, receiving the hoped-for hospital appointment at that time, I
tried to make up by hard work for a happiness that I had not lost
because it had never been mine.
A curious thing has happened to me. I had thought this record finished,
but perhaps—
Turner’s health is bad. He and his wife and Miss Lee are going to
Europe. He has asked me to go with him in my professional capacity!
It is more than a year since I have seen her.
The year has brought some changes. Singleton is again a member of the
Turner forces, having signed a contract and a temperance pledge at the
same sitting. Jones is in a hospital for the insane, where in the
daytime he is a cheery old tar with twinkling eyes and a huge mustache,
and where now and then, on Christmas and holidays, I send him a supply
of tobacco. At night he sleeps in a room with opaque glass windows
through which no heavenly signals can penetrate. He will not talk of
his crimes,—not that he so regards them,—but now and then in the night
he wraps the drapery of his couch about him and performs strange
orisons in the little room that is his. And at such times an attendant
watches outside his door.
CHAPTER XXV.
THE SEA AGAIN
Once more the swish of spray against the side of a ship, the tang of
salt, the lift and fall of the rail against the sea-line on the
horizon. And once more a girl, in white from neck to heel, facing into
the wind as if she loved it, her crisp skirts flying, her hair blown
back from her forehead in damp curls.
And I am not washing down the deck. With all the poise of white
flannels and a good cigar, I am lounging in a deck-chair, watching her.
Then—
“Come here!” I say.
“I am busy.”
“You are not busy. You are disgracefully idle.”
“Why do you want me?”
She comes closer, and looks down at me. She likes me to sit, so she may
look superior and scornful, this being impossible when one looks up.
When she has approached—
“Just to show that I can order you about.”
“I shall go back!”—with raised chin. How I remember that raised chin,
and how (whisper it) I used to fear it!
“You cannot. I am holding the edge of your skirt.”
“Ralph! And all the other passengers looking!”
“Then sit down—and, before you do, tuck that rug under my feet, will
you?”
“Certainly not.”
“Under my feet!”
She does it, under protest, whereon I release her skirts. She is sulky,
quite distinctly sulky. I slide my hand under the rug into her lap. She
ignores it.
“Now,” I say calmly, “we are even. And you might as well hold my hand.
Every one thinks you are.”
She brings her hands hastily from under her rug and puts them over her
head. “I don’t know what has got into you,” she says coldly. “And why
are we even?”
Public-domain text, read in full here on John Shaqi.
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