Dryden, John, 1631-1700; English literature -- Early modern, 1500-1700 -- History and criticism
No work of the kind in the world's literature can for a moment be
compared to Pepys's _Diary_; but many circumstances must combine ere the
existence of such a book is possible. It is characteristic of Pepys to
be at once a very extraordinary and a very ordinary person. In one point
of view he is the most perfect representative imaginable of the
bourgeois type of humanity, worthy, sensible, indispensable, and at the
same time dull, prosaic, and narrow-minded. Yet this solid citizen has a
dash of the Gil Blas in him too; and his little rogueries and
servilities appear the more amusing by contrast with the really
estimable and respectable background of his character. These qualities
combined make a perfect hero of autobiography; his ordinary qualities
awaken a fellow-feeling for so characteristic a specimen of average
humanity, and his deviations from the straight path communicate the
piquancy of comedy, sometimes the exuberance of farce. Extraordinary he
is too, for assuredly no one ever recorded his thoughts and actions with
such absolute sincerity; or if anyone ever did, his thoughts and actions
were not worthy of record. Those of Pepys, somehow, always seem worthy
of being perpetuated. However trivial they may sometimes be, they are
saved by the writer's admirable manner, and the contagious earnestness
of his conviction that they are in truth of deep concern. The reader,
moreover, is continually exercised by the problem whether his author is
really aware of the display he is making of himself. If he is, he is a
miracle of courage; if not, his obtuseness is equally extraordinary. The
_Diary_, besides, is no less admirable as a delineation of the macrocosm
than of the microcosm. It paints the official and private circles in
which the author moved, the course of public affairs, the humours of
social life, with no less truth and frankness than it reveals the author
himself. It is by far the most valuable document extant for the
understanding of the times; better than all the histories and all the
comedies. It seems an unequalled piece of irony that the supreme piece
of workmanship in its way and the most lucid mirror of its age should be
the performance of an ordinary citizen who had not the least idea that
he was doing anything remarkable; who expected celebrity, if he expected
it at all, from his official tasks and scientific recreations; who
shrouded his work in shorthand lest the world should profit by it; and
who would have been dismayed beyond measure if he had foreseen that it
would be published after his death. Many chances have conspired for its
preservation; it is wonderful that the writer should not have destroyed
it; beyond expectation that he should have bequeathed it to Magdalen
College; fortunate, to say the least, that it should have been so well
preserved there, and have attracted attention at last. We shall never be
able to determine whether we have more reason to be thankful that it was
Public-domain text, read in full here on John Shaqi.
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