Dryden, John, 1631-1700; English literature -- Early modern, 1500-1700 -- History and criticism
Rich as the age was in the diaries of private men and memoirs of public
transactions, it did not produce many narratives of private lives in
strictly autobiographic form. The most important was that of William
Lilly the astrologer, whose character of Charles I. has been already
noticed. If, as most think, an astrologer must be either a fool or a
knave, there can be no doubt under which class to range this
entertaining author. Born (1601) at Diseworth in Leicestershire, 'a town
of great rudeness,' he was indebted for his grammar-school education to
his father's decayed estate, which made the farm not worth following,
and for his transfer to London to his total unfitness for all
agricultural work. He walked up to London by the side of the carrier's
waggon, got a place in London as general servant, where 'I saw and ate
good white bread, contrary to our diet in Leicestershire;' but, on the
other hand, 'sometimes helped to carry eighteen tubs of water from the
Thames in one morning.' Within a few years he made his fortune by
marrying his master's widow, and devoted himself for the rest of his
life to mathematical and astrological pursuits. He died, in good
circumstances, in 1681, and was honourably interred at the expense of
Elias Ashmole, to whom his autobiography is addressed. His numerous
astrological writings do not concern us here; his memoirs are no less
valuable than entertaining for the glimpses they afford into bygone
manners and contemporary feeling on public affairs, and particularly for
the lively portrayal of the singular characters with whom Lilly was
professionally brought into connection, prototypes of the spiritualistic
mediums of a later day, and not unfairly represented by William Hodges,
'whose angels were Raphael, Gabriel, and Uriel; his life answered not in
holiness and sanctity to what it should, having to deal with those holy
angels.' The following description of a Welsh conjuror is a
characteristic example of Lilly's graphic touch:
Public-domain text, read in full here on John Shaqi.
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