will, which he had himself drawn up a short time previously, shows the undiminished vigour of his faculties, and the endurance of his connection with his native county. His character may be read in every page of his writings, and is such as to prove that with him angling was indeed the recreation of a contemplative man. The maxim _noscitur a sociis_ is entirely in Walton's favour, for his ecclesiastical heroes are the flower of the Church of England of his day. His treatment is in general very satisfactory, entirely sympathetic, the first qualification of biography, and much less marred by prejudice and party spirit than was to have been expected from the agitated character of the times. The simple unaffected style almost verges upon garrulity. Though not a scholar, Walton seems to have possessed sufficient acquaintance with theology to avoid misrepresentation of eminent divines; while the chief value of his work consists in its portrayal of almost ideal charity, meekness, and learning; and in the curious anecdotes embedded in it, such as Pope Clement VIII.'s high appreciation of Hooker, James I.'s influence upon the composition of Sarpi's _History of the Council of Trent_, Charles I.'s translation of Sanderson (unfortunately lost), and his infatuated regret expressed to the same divine for having consented to the abolition of episcopacy in Scotland. Walton, into whose composition mirth entered, but not humour, records this with the same gravity with which he chronicles Charles's injunction to the Merry Monarch to be above all things diligent in the study of Richard Hooker. Some light may possibly be thrown upon the vexed question of the interpolation of the last three books of the _Ecclesiastical Polity_, by the statement of Hoole, a contemporary schoolmaster, when exhorting his scholars to good penmanship, that many of Hooker's sermons had been destroyed after his death from the impossibility of deciphering his handwriting. CHAPTER XII. DIVINITY. [Sidenote: The Pulpit in the Restoration epoch.]