Dryden, John, 1631-1700; English literature -- Early modern, 1500-1700 -- History and criticism
_The Life and Death of Mr. Badman_ is a piece of prose indeed, and its
realism is, perhaps, the more effective from being wholly devoid of the
least particle of imagination. The genesis and purpose of the book are
thus stated by the author: 'As I was considering with myself what I had
written concerning the progress of the Pilgrim from this world to glory,
and how it had been acceptable to many in this nation, it came again
into my mind to write, as then of him that was going to heaven, so now
of the life and death of the ungodly, and of their travel from this
world to hell.' Had this conception been strictly carried out, the
narrative must have been a failure from the want of admixture of light
and shade. The Christian of the _Pilgrim's Progress_ is a mixed
character, and though we are scarcely in doubt as to the ultimate
success of his adventure, this is sufficiently chequered with peril and
hardship to keep our interest alert. This evidently cannot be the case
with Mr. Badman, whose career is not only a monotony, but a monotony of
sordid evil; and who only excites a flickering sort of interest in
virtue of the sympathy naturally felt for the victim of the animosity of
his creator. Bunyan, however, has not been faithful to his original
plan, and has in a measure redeemed one fault in art by committing
another. As a rule, nothing is more reprehensible in a fiction than
inordinate digression; but here it is the greatest relief to be turned
away from the repulsive career of Mr. Badman to the running commentary
in which Bunyan opens his mind on a variety of subjects, spiritual and
secular, ranging from earnest rebukes of the maxim to be anon formulated
as 'buy in the cheapest market and sell in the dearest,' to foolish
stories of the deaths of persecutors, quite in the vein of the Methodist
anecdotes satirized by Sydney Smith. This garrulity is greatly promoted
by the inartistic character of the machinery employed, a dialogue
between Mr. Wiseman and Mr. Attentive, which allows the writer to say
whatever he pleases. It is evident that he has real persons and actual
transactions continually in his mind, and it would not be surprising to
learn that his book made no inconsiderable commotion in the town of
Bedford.
Public-domain text, read in full here on John Shaqi.
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