Dryden, John, 1631-1700; English literature -- Early modern, 1500-1700 -- History and criticism
complacency would now be thought too trivial to engage the attention of
a learned society, and some are not a little absurd. In the main,
however, they are most significant of the new spirit that had come into
the world. A counter spirit was necessarily called into being also.
Sprat combats the objections of churchmen by proving that enthusiasts
cannot be natural philosophers, and propitiates wits like Butler by
promising them new ideas for their writings. His demonstration that the
design of the society was in no respect prejudicial to the Church of
England may raise a smile now, but was probably by no means superfluous
at the time. His remarks upon the utility of experiments display the
most vigorous common sense; he would evidently have subscribed heartily
to a modern definition of a fool as 'a man who never made an experiment
in his life.' 'If,' he says of the opponents of experimental philosophy,
'they will persist in contemning all experiments except those which
bring with them immediate gain and a present harvest, they may as well
cavil at the providence of God that he has not made all the seasons of
the year to be times of mowing, reaping, and vintage.' He enumerates
eleven classes of experiments actually instituted by the Royal Society,
comprising a very large number of separate essays, one of which, it is
to be feared, may not have perfectly succeeded, 'Of making a deaf and
dumb man to speak.' His observations upon the prospects of human
improvement, the advantages of transplantation and immigration, the
national gain from encouraging inventors and projectors, are conceived
in the same bold and liberal spirit, contrasting forcibly with his
timid and time-serving politics. In his advocacy of the claims of London
to rank as the metropolis of science, and his exhortations to the
English gentry to turn the leisure and opportunity afforded by a country
life to account for the study of nature, he becomes what he never is
when writing verse--something bordering upon a poet.
[Sidenote: Evelyn's _Sylva_, 1664.]
Public-domain text, read in full here on John Shaqi.
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