Dryden, John, 1631-1700; English literature -- Early modern, 1500-1700 -- History and criticism
_Sem._ Your cruel question tears my very soul:
Ah, can you doubt me, Prince? a faith, like mine,
The softest passion that e'er woman wept;
But as resolv'd as ever man could boast:
Alas, why will you then suspect my truth?
Yet since it shews the fearfulness of love,
'Tis just I should endeavour to convince you:
Make bare your sword, my noble father, draw.
_Arch._ What would'st thou now?
_Sem._ I swear upon it, oh,
Be witness, Heav'n, and all avenging pow'rs,
Of the true love I give the Prince Ziphares:
When I in thought forsake my plighted faith,
Much less in act, for empire change my love;
May this keen sword by my own father's hand
Be guided to my heart, rip veins and arteries;
And cut my faithless limbs from this hack'd body,
To feast the ravenous birds, and beasts of prey.
_Arch._ Now, by my sword, 'twas a good hearty wish;
And, if thou play'st him false, this faithful hand
As heartily shall make thy wishes good.
_Ziph._ O hear mine too. If e'er I fail in aught
That love requires in strictest, nicest kind;
May I not only be proclaim'd a coward,
But be indeed that most detested thing.
May I, in this most glorious war I make,
Be beaten basely, ev'n by Glabrio's slaves,
And for a punishment lose both these eyes;
Yet live and never more behold Semandra. [_Trumpets._
_Arch._ Come, no more wishing; hark, the trumpets call.
_Sem._ Preserve him, Gods, preserve his innocence;
The noblest image of your perfect selves:
Farewell; I'm lost in tears. Where are you, Sir?
_Arch._ He's gone. Away, my lord, you'll never part.
_Ziph._ I go; but must turn back for one last look:
Remember, O remember, dear Semandra,
That on thy virtue all my fortune hangs;
Semandra is the business of the war,
Semandra makes the fight, draws every sword;
Semandra sounds the trumpets; gives the word.
So the moon charms her watery world below;
Wakes the still seas, and makes 'em ebb and flow.'
[Sidenote: John Crowne (1640-1703?).]
Public-domain text, read in full here on John Shaqi.
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