Dryden, John, 1631-1700; English literature -- Early modern, 1500-1700 -- History and criticism
His title to recollection, however, rests upon things as remote from
poetry as possible--his coarsely indecent, but humorous comedies, which
are undoubtedly of value as reflecting the manners of the time.
Shadwell, in imitation of Ben Jonson, laid himself out to study
'humours,' so well defined by Ben himself:
'When some peculiar quality
Doth so possess a man that it doth draw
All his affects, his spirits, and his powers
From their complexions all to run one way,
This may be truly said to be a humour.'
We have seen the like in Dickens, who, possessing little delicacy of
psychological observation, laid himself out to study obvious
eccentricities of character, the more grotesque the better, and
frequently made the entire man the incarnation of an attribute. This is
certainly not very high art, but has recommendations for the stage which
it lacks in the novel; it is easy to write, easy to act, and gives
genuine entertainment to the crowd of spectators. Shadwell valued
himself so much upon his performances in this way as to declare in his
preface to _The Virtuoso_ that he trusted never to have less than four
new humours in any comedy. Shadwell's plays, though poorly written,
might still be read for their humour, were it not for their obscenity;
his chief merit, however, is to bring the society of his time nearer to
us than any other writer. No other records such minute points of
manners, or enables us to view the actual daily life of the age with so
much clearness. This is especially the case in his _Epsom Wells_
(1675), _Squire of Alsatia_ (1688), and _Volunteers_ (1692). From
Dryden's satire, which must have had a basis of truth, he would seem to
have been just the boisterous corpulent _bon vivant_ we might expect.
'If,' said Rochester, 'Shadwell would burn all he writes and print all
he says, he would have more wit and humour than anybody.' His friend,
Dr. Nicholas Brady, vouches for the openness and friendliness of his
temper; and further describes him as 'a complete gentleman.' But this
was in a funeral sermon. The regard for Otway, imputed to him by
Rochester, is creditable to him.
Public-domain text, read in full here on John Shaqi.
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