Dryden, John, 1631-1700; English literature -- Early modern, 1500-1700 -- History and criticism
[Sidenote: Sir John Vanbrugh (1664-1726).]
Sir John Vanbrugh, the next of the quartette of illustrious comic
writers, occupies a remarkable position in literature. Few other
distinguished architects have gained renown in elegant letters, and
these have not attempted the drama. As, however, Angelo is more
celebrated for St. Peter's than for his sonnets, so Vanbrugh is better
remembered by Blenheim, which most have beheld, than by his plays, which
are never seen on the stage, and yet connoisseurs have found infinitely
more to censure in the former. The faults of the plays are those of the
author's age and his school; the faults imputed to his buildings, if
they exist, which is a question for architects, are personal to the
Fleming, who shared his countryman Rubens's taste for the massive and
substantial, and whose epitaph was couched in the adjuration:
'Lie heavy on him, earth, for he
Laid many a heavy load on thee.'
Though born an English subject, Vanbrugh was of Flemish descent. His
first profession was the army. His _début_ as a dramatist was made in
1697 by two sparkling comedies, _The Relapse_ and _The Provoked Wife_,
followed by _The False Friend_ (1702), _The Confederacy_, and _The
Mistake_ (1705), some imitations of the French, and an unfinished play,
_A Journey to London_, completed by Cibber, and produced in 1728 as _The
Provoked Husband_. All these plays seem to have been successful;
certainly none were in any peril of damnation on the ground apprehended
by Orrery:
'This play, I'm horribly afraid, can't last;
Allow it pretty, 'tis confounded chaste,
And contradicts too much the present taste.'
Latterly he became somewhat careless in the composition of his plays,
which may be reasonably attributed to the demands made upon him by the
laborious profession of architecture, which he took up, apparently
without a regular education, about the end of the seventeenth century,
and which he may have been the more inclined to pursue on account of the
serious loss entailed upon him by his dramatic speculations. Interest or
ability made him successful; he was entrusted with no less a task than
the erection of Blenheim; and Castle Howard and other celebrated country
mansions were built after his designs. He died in 1726. The little known
of his personal character is to his credit.
[Sidenote: George Farquhar (1678-1707).]
Public-domain text, read in full here on John Shaqi.
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