Aleander in a diary records the exceptional brilliance of the planet Jupiter at the end of September 1513. He pointed it out to his pupils in the College de la Marche at Paris, and together they remarked that its rays were strong enough to cast a shadow. Ellenbog enjoyed the country, and Luther also was susceptible to its charms. Budaeus had a villa to which he delighted to escape from Paris, and where he laid out a fine estate. Beatus Rhenanus after thirty years retained impressions of Louis XII's gardens at Tours and Blois and of a 'hanging garden' in Paris; and could write a detailed account of the Fugger palace at Augsburg with its art treasures. Or think of the painters. The Flemings of the fifteenth century had learnt from the Italians to fit into their pictures landscapes seen through doors or windows, gleaming in sunshine, green and bright. Van Eyck's 'Adoration of the Lamb' is set in beautiful scenery; grassy slopes and banks studded with flowers, soft swelling hills, and blue distances crowned with the towers he knew so well, Utrecht and Maestricht and Cologne and Bruges. Even in the interiors of Durer and Holbein, where no window opens to let in the view, Nature is not left wholly unrepresented; for flowers often stand upon the tables, carnations and lilies and roses, arranged with taste and elegance. On the whole the enjoyment of Nature formed but a small part in the outlook of that age as compared with the prominence it receives in modern literature and life; but we should be wrong in inferring that it was wholly absent. To the men of the fifteenth century the earth was still the centre of the universe: the sun moved round it like a more magnificent planet, and the stars had been created 'to shed down Their stellar influence on all kinds that grow'.