English literature -- 18th century -- History and criticism; Pope, Alexander, 1688-1744
The essayist thinks it fortunate for the Whigs 'that their very enemies
acknowledge the finest women of Great Britain to be of that party;' and
in an amusing but rather absurd way he discourses to maids, wives, and
widows on the advantages of adhering to the Hanoverian Government. It is
characteristic of Addison that a political paper like the _Freeholder_
should be flavoured with the humour and badinage he found so effective
in the _Spectator_. To the ladies he appeals again and again, but not to
their reason. He gives them mirth instead of argument, and thinks it
more likely to prevail with the 'Fair Sex.' The _Freeholder_ has several
papers worthy of the author in his best moods, the best of them,
perhaps, being the 'Tory Fox-hunter,' with which, to quote Johnson's
words, 'bigotry itself must be delighted.' In the year which gave birth
to the _Freeholder_, _The Drummer_, a comedy, was acted at Drury Lane,
and ran three nights. The play was not acknowledged by Addison, neither
was it printed in Tickell's edition of his works; but Steele, who
published an edition of the play, with a dedication to Congreve, never
doubted, and there is no reason to doubt, that Addison was the author.
'The piece,' Mr. Courthope writes, 'is like _Cato_, a standing proof of
Addison's deficiency in dramatic genius. The plot is poor and trivial,
nor does the dialogue, though it shows in many passages traces of its
author's peculiar vein of humour, make amends by its brilliancy for the
tameness of the dramatic situation.'[37]
After the _Freeholder_ Addison wrote nothing of importance, unless we
except the essay published after his death _On the Evidences of
Christianity_. Of this essay it will suffice to quote the judgment of
his most distinguished eulogist. After observing that the treatise shows
the narrow limits of Addison's classical knowledge, Lord Macaulay adds:
'It is melancholy to see how helplessly he gropes his way from blunder
to blunder. He assigns as grounds for his religious belief stories as
absurd as that of the Cock Lane Ghost, and forgeries as rank as
Ireland's Vortigern; puts faith in the lie about the Thundering Legion;
is convinced that Tiberius moved the senate to admit Jesus among the
gods, and pronounces the letter of Agbarus, King of Edessa, to be a
record of great authority. Nor were these errors the effects of
superstition, for to superstition Addison was by no means prone. The
truth is, that he was writing about what he did not understand.'
Public-domain text, read in full here on John Shaqi.
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