If it is difficult to write at all on any subject once ennobled by the notice of Charles Lamb without some apprehensive sense of intrusion and presumption, least of all may we venture without fear of trespass upon ground so consecrated by his peculiar devotion as the spacious if homely province or demesne of the dramatist whose highest honor it is to have earned from the finest of all critics the crowning tribute of a sympathy which would have induced him to advise an intending editor or publisher of the dramatists of the Shakespearean age to begin by a reissue of the works of Heywood. The depth and width of his knowledge, the subtlety and the sureness of his intuition, place him so far ahead of any other critic or scholar who has ever done any stroke of work in any part of the same field that it may seem overbold for any such subordinate to express or to suggest a suspicion that this counsel would have been rather the expression of a personal and a partly accidental sympathy than the result of a critical and a purely rational consideration. And yet I can hardly think it questionable that it must have been less the poetic or essential merit than the casual or incidental associations of Heywood's work which excited so exceptional an enthusiasm in so excellent a judge. For as a matter of fact it must be admitted that in one instance at least the objections of the carper Hazlitt are better justified than the commendations of the finer and more appreciative critic. The rancorous democrat who shared with Byron the infamy of sympathetic admiration for the enemy of England and the tyrant of France found for once an apt and a fair occasion to vent his spleen against the upper classes of his countrymen in criticism of the underplot of Heywood's most celebrated play. Lamb, thinking only of the Frankfords, Wincotts, and Geraldines, whose beautiful and noble characters are the finest and surest witnesses to the noble and beautiful nature of their designer's, observes that "Heywood's characters, his country gentlemen, etc., are exactly what we see (but of the best kind of what we see) in life." But such country gentlemen as his Actons and Mountfords are surely of a worse than the worst kind; more cruel or more irrational, more base or more perverse, than we need fear to see in life unless our experience should be exceptionally unfortunate. Lamb indeed is rather an advocate than a judge in the case of his fellow-Londoners Thomas Heywood and William Rowley; but his pleading is better worth our attention than the summing up of a less cordial or less competent critic.