Fletcher, "Fair Maid of the Inn, The," 26; Webster compared with, 26; tragic poet, 30; compared with Shakespeare, 65; comic style, 165; metrical beauty, 172, 174; Middleton compared with, 172, 174, 178; collab. with Beaumont, 182; realism, 214; Heywood compared with, 232; faults, 234; "Flitcher," 237; Chapman's feeling toward, 260. Ford, 81, 172, 177. Foreign words, abuse of, 246. "Fortune by Land and Sea," 243, 244. "Four Brides of Noah's Ark," 106. "Four Prentices of London, The," 193, 225, 228. Francis I., 258. Franklin, 254. French comedy, 133. French history, source for Chapman, 258. Froissart, 229. "Game at Chess, A," 157, 171. Gautier, 231. "Gentle Craft, The" (Dekker), 64. "Gentleman Usher, The" (Chapman), 259. German criticism, 19. Gifford, on Dekker and Jonson, 69, 70, 90; on Marston, 122, 276. Gil Blas, 210. Giocondo, 110. "Gloriana" (Lee), 82. Glover, 38. God, as term in literature, 286. Goethe, on Marlowe, 2, 3. "Golden Age, The" (Heywood), 216. Goldsmith, Dekker compared with, 106. Greene, Robert, 50, 73, 101. Grenville, Richard, 18. "Grim the Collier of Croydon," 84. Grosart, _Barnfield_, 51; on Dekker, 91, 99; on Marston, 126. "Gull's Hornbook, The" (Dekker), 97. Hall, 125. Hallam on Heywood, 3, 199, 232. "Hamlet," 144, 176, 179; influence on Tourneur, 276, 282, 284. Haughton, 73, 87. Hazlitt, on Dekker, 78, 79, 181, 190; on Heywood, 201. Hebrew Bible, influence of, 281. "Heliogabalus," 231. Henry IV., reign of, 258. Henry, Prince of Wales, 256. "Hero and Leander" (Marlowe), 13, 136, 256. Heroine, orthodox ideal of, 247; _cf._ also 157 _note_. Hesiod, 256. Heywood, Thomas (200-254), realism, 65, 215; "The Royal King," etc., 193; characters from life, 201; love of country, 202; of London, 202; pathos and humor, 204; patriotism, 210; imitator of Theocritus, 214; William Morris compared with, 215; power of condensation, 217; character as poet, 224, 225; influence of civic services, 226; compared with Fletcher, 232; best play, 233, 234; national quality in, 236, 254; dramatic force, 245; disciple of Jonson, 251; prose, 253; story-telling, 253. "Hierarchie of the Blessed Angels, The" (Heywood), 212. "Hippolytus," 37. History, treatment on stage, 18, 19. "Histriomatrix," 126, 139, 140. [Transcriber's note: in the text, "Histriomastix"] Hogarth, 158. Homer, 220; Chapman on, 255-261. "Honest Whore, The," Webster's part in, 21; Dekker's, 74, 75; Middleton's and Rowley's, 183. Hood, 138. Horace, 143. Horne, 152. "How to Choose a Good Wife from a Bad" (Heywood), 247. Hugo, Victor, son of, 4; 33, 38; Dekker compared with, 74. Hunt, Leigh, on Dekker, 78; on Middleton, 154. "Hymns" (Homer), 256. "If you know not me," 206. "Iliad," Chapman's translation, 255. "Inner-Temple Masque, The," 179. "Insatiate Countess, The" (Marston), 135. "Iron Age, The," 216, 220.