English drama -- Early modern and Elizabethan, 1500-1600 -- History and criticism
There is much more merit in the broad comedy of "Your Five Gallants," a
curious burlesque study of manners and morals not generally commendable
for imitation. The ingenious and humorous invention which supplies a
centre for the picture and a pivot for the action is most singularly
identical with the device of a modern detective as recorded by the
greatest English writer of his day. "The Butcher's Story," told to
Dickens by the policeman who had played the part of the innocent young
butcher, may be profitably compared by lovers of detective humor with
the story of Fitsgrave--a "thrice worthy" gentleman who under the
disguise of a young gull fresh from college succeeds in circumventing
and unmasking the five associated swindlers of variously villanous
professions by whom a fair and amiable heiress is beleaguered and
befooled. The play is somewhat crude and hasty in construction, but full
of life and fun and grotesque variety of humorous event.
The first of Middleton's plays to attract notice from students of a
later generation, "A Mad World, My Masters," if not quite so thoroughly
good a comedy as "A Trick to Catch the Old One," must be allowed to
contain the very best comic character ever drawn or sketched by the
fertile and flowing pen of its author. The prodigal grandfather, Sir
Bounteous Progress, is perhaps the most life-like figure of a
good-humored and liberal old libertine that ever amused or scandalized
a tolerant or intolerant reader. The chief incidents of the action are
admirably humorous and ingenious; but the matrimonial part of the
catastrophe is something more than repulsive, and the singular
intervention of a real live succubus, less terrible in her seductions
than her sister of the "Contes Drolatiques," can hardly seem happy or
seasonable to a generation which knows not King James and his
Demonology.
Public-domain text, read in full here on John Shaqi.
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