English literature -- 19th century -- History and criticism; Great Britain -- Intellectual life -- 19th century
Robert Chambers stands by himself. He was of the best class of self-made
men, and as a publisher perhaps even more than as a writer did service to
literature. He had great talent for not only acquiring information but
making it popular. His most remarkable book, the _Vestiges of the Natural
History of Creation_ (1844), was published anonymously, and, in fear of
the outcry of orthodoxy, extraordinary precautions were taken to guard the
secret of the authorship. For a long time the efforts were successful,
and, though the secret gradually became an open one, it was not till 1884
that his responsibility for the book was authoritatively avowed. The
_Vestiges of Creation_ has been unduly depreciated since the time of
Darwin. The gaps in the argument, and still more perhaps the untenable
assumptions and mistaken assertions, are easy to detect now; but it is at
least ungracious to insist upon them. Chambers was not an accomplished
naturalist; on the contrary, Huxley charges him with 'prodigious
ignorance.' He had not laboured as long, as patiently or as strenuously at
the subject as Darwin; but at the same time his book is in an uncommon
degree bold and suggestive. The best minds were already dallying with the
idea of evolution, but in 1844 there nowhere existed in English such a
concrete and clear presentation of it as Chambers gave. Judged in
relation to what was known and thought then, his work was a memorable,
though, from lack of a sufficiently firm foundation, hardly a great one.
[Sidenote: Charles Robert Darwin (1809-1882).]
Charles Robert Darwin is the true father of evolution as applied in modern
science, and of all the men of science of the century he most demands and
deserves attention in connexion with literature. No recent doctrine,
either in science or philosophy, has produced anything comparable to the
revolution in thought caused by _The Origin of Species_. Its central ideas
have been applied not merely in the department of biology, but everywhere
in the world of thought,--in philosophy, in religion, in literature and
literary criticism. We cannot refer all this to Darwin alone, for the
conception of evolution can be traced for two thousand years or more; but
it was Darwin who first planted it firmly in the human mind, and
consequently he is the chief though not the sole cause of the revolution.
Another element of his greatness, important in a criticism of literature,
is that his works are themselves literature. Writing a perfectly plain
style, he yet succeeds in so expressing his meaning that the manner is no
inconsiderable part of his charm. Some of the less compressed works, like
the _Naturalist's Voyage round the World_ and the monograph on earthworms,
are as fascinating and as difficult to relinquish as a skilful story of
adventure; and if this cannot be said of _The Origin of Species_ itself,
the reason is that it is so packed with thought that the reader is
compelled to pause over it.
Public-domain text, read in full here on John Shaqi.
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