English literature -- 19th century -- History and criticism; Great Britain -- Intellectual life -- 19th century
The second Lord Lytton, best known in literature by his pseudonym of Owen
Meredith, must also be ranked among 'the unattached' of literature. He had
a distinguished diplomatic career which more than once interrupted his
pen. But, except for the intervals caused by his various ambassadorships
and his eventful tenure of the Viceroyalty of India, Lytton was, from 1855
to his death, a diligent writer. In 1855 _Clytemnestra and other Poems_
appeared, while _Marah_ was a posthumous work. The greater part of
Lytton's writings is poetical, and their total bulk is very great. It is
indeed too great for his fame, and most of his poems would be improved by
condensation. Lytton presents a singular example of heredity, which, in
his case, showed itself in a manner damaging to his reputation. We have
seen how the first Lord Lytton veered with every turn of the popular
taste. The second Lord Lytton changed his style, chameleon-like, with
almost every poet he happened to be reading. The consequence is, in the
first place, that his own style is not easily discovered; and in the
second place that he has been accused of plagiarism with more show of
reason than almost any other man of equal literary rank. It is not merely
that he echoes successively the pensive sentiment and melancholy
reflectiveness of Arnold, the rich diction of Tennyson, the headlong
abundance of Browning, the lyrical sweetness of Shelley, or that he in a
snatch or two almost paraphrases Byron. In _Lucile_, his indebtedness to
George Sand is far more extensive. It is true he avowed that he had taken
from her the story of the piece; but the story is the principal part of
it, and no writer ought to borrow quite so much from another. The fault is
a serious one, and it is reason sufficient for the belief that Owen
Meredith will never take a high place in poetry; yet his endowments were
almost great, his taste was purer than his father's, and had he been more
independent-minded he might have stood high in the second class of the
poets of the century.
[Sidenote: J. B. Leicester Warren, Lord de Tabley (1835-1895).]
Public-domain text, read in full here on John Shaqi.
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