After the turn of the century fiction passes through a change similar to that of which we have seen evidence in poetry. The increased tendency to analysis, the greater frequency of the novel of purpose, and the philosophic strain conspicuous in George Eliot, all point to the operation of the forces which stimulated the intellectual movement in verse. The novelists, on the whole, take themselves more seriously than their predecessors--not always to their own advantage or that of their readers. Dickens, in his later days, is more of a reformer than at the opening of his career; and Charles Reade and Kingsley likewise make a conscious attempt to benefit society. In the case of the greatest novelist yet to be discussed this tendency to seriousness of aim grew till it injured her art. George Eliot was always serious in mind, but there is a great difference in treatment between _Scenes of Clerical Life_ and _Daniel Deronda_. [Sidenote: George Eliot (1819-1880).] Mary Ann Evans, who adopted the _nom de plume_ of George Eliot, was the daughter of an estate agent. After the death of her mother in 1836 she was charged with the care of her father's house. But she continued to study, her subject at this period being language, German and Italian, Latin and Greek. Her father moved in 1841 from Griff, near Nuneaton, to Coventry. There Miss Evans came under influences which affected her whole life. Intercourse with certain friends named Bray, and the reading of books like Hennell's _Inquiry concerning the Origin of Christianity_ overthrew her hitherto unquestioning orthodoxy, gave to her thought a permanent bent, and introduced her to literature. A project for translating Strauss's _Leben Jesu_ into English had been for some time entertained; the person who originally undertook the work had to abandon it; and Miss Evans took her place. _The Life of Jesus_ was published in 1846. Miss Evans afterwards translated also Feuerbach's _Essence of Christianity_ (1854), the only book ever published under her own name. The death of her father in 1849 left her without domestic ties, and in 1850 or 1851 she accepted the position of assistant editor of the _Westminster Review_. In 1854 she took the most questionable step of her life. She went to live with George Henry Lewes, not only without the ceremony of marriage, but while he had a wife still living. All that can be said in defence has been said by herself; but there are several passages in her works which show that she was permanently uneasy, and was not fully convinced that what she had done was right either towards herself or towards society.