English literature -- 19th century -- History and criticism; Great Britain -- Intellectual life -- 19th century
Charles Kingsley was also by profession a theologian, and his disastrous
controversy with Newman remains as a proof of the interest he took in the
movement Newman sought to serve by _Callista_. But fortunately Kingsley
did not allow this interest to dominate his books. Tractarianism is indeed
one of the themes of his earliest novels, _Alton Locke_ (1850) and _Yeast_
(1848), but socialism, to which his attention had been turned by the
personal influence of Maurice, is a far more prominent one. _Yeast_
pictures the condition of agricultural labour, _Alton Locke_ that of
labour in crowded cities. Both books are immature, sometimes rash, and on
the whole not well constructed; but they have the merits of vigour,
earnestness and knowledge at first-hand; for Kingsley had personally taken
part in the labour movements in London which resulted in Chartism.
_Hypatia_ (1853) is an ambitious novel, at once historical and
philosophical, impressive in parts, but on the whole heavy. Kingsley, a
man whose physical nature and instincts were quite as well developed as
his intellect, is happiest where he can bring to play the experiences of
his life, and where he can describe scenes familiar to him. About his best
work there is always a breath of the moor, of the fen or of the sea; for
he had lived by them all and had learnt to love them. This is shown by his
verse as well as his prose. His _Ode to the North-East Wind_, his _Sands
of Dee_, and the images scattered everywhere through his poems, prove how
the features of the scenery and of the weather had sunk into his mind. So
do such novels as _Westward Ho!_ (1855) and _Hereward the Wake_ (1866).
The former, a historical romance, the scene of which is laid in the time
of Elizabeth, is generally considered Kingsley's best work; and it is only
a small minority, to which the writer happens to belong, who find it
dreary. The power of some of the descriptions must be acknowledged; but
whether _Westward Ho!_ will live is a question on which there may be
difference of opinion. _Hereward the Wake_, generally ranked much lower,
is certainly uneven and in parts dull. But it has two great merits: it
reproduces in a marvellous way the impression of the fen country; and, by
vivid flashes, though not constantly, the reader seems to see before his
eyes the very life of the old vikings.
Public-domain text, read in full here on John Shaqi.
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