English literature -- 19th century -- History and criticism; Great Britain -- Intellectual life -- 19th century
Of late years Macaulay's history has been often challenged on the score of
inaccuracy and untruth. The charge is brought against every historian in
turn; and we must remember, on the other hand, that Freeman, one of the
most competent of judges, warmly praised Macaulay for his command of
facts. It is necessary to distinguish three things: falsity of statement,
incompleteness of statement, and the drawing of disputable conclusions. In
the first respect Macaulay was rarely, in the second and third he was
frequently, at fault. His omissions are often indefensible. The whole
evidence of his character is against the supposition that they were due to
conscious dishonesty. It is far more probable that, approaching his
subject with a strong prepossession, he was positively blind to anything
that told against his own view. Partly for the same reason, and partly
because his philosophic endowment was not equal to his literary talent,
his inferences too are often questionable. And this perhaps will prove in
the end a more serious objection to his history than his partisanship;
for, after all, there are worse things, even in historical writing, than
partisanship. The man who is free from all temptation to take a side, if
not from political affinity then from moral sympathy, must run some risk
of being dull and colourless.
Macaulay did much to enlarge and liberalise the conception of history.
More than any of his predecessors, he attempted to base his views on a
wide consideration of the literature and life of the people, as well as on
their constitution and campaigns and treaties. He cast all pseudo-dignity
to the winds. His method was sound; and herein Carlyle, though he applied
the principle differently, was quite at one with Macaulay. Another
honourable characteristic, wherein the two historians likewise agreed, was
their care in visiting the scenes about which they had to write; and both
have gained in vividness and in topographical accuracy from this habit.
Macaulay's notes on the scenes of the Irish war were 'equal in bulk to a
first-class article in the _Edinburgh_ or _Quarterly Review_.'
Public-domain text, read in full here on John Shaqi.
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